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Belles Lettres and Beaux Arts

September 30, 1996–January 3, 1997
East Building, Ground Floor, Study Center

This exhibition is no longer on view at the National Gallery.

1996-belleslettresbeauxarts-cor

original exhibition poster
click to enlarge

Overview: The first printing press in France was established in the library of the Sorbonne in 1470, well after Germany and Italy. French printers later boasted that this late date spared them an awkward period of development and enabled them to produce masterpieces from the beginning. As early as 1537, King Francis I established the “dépôt légal” obligating printers and publishers to submit to the royal librarians a copy of each book published in France. The royal library flourished and by 1544 was moved to Fontainebleau, where it became a research library open to the professors of the Collège Royale.

With the founding of the Académie Française (1635), the Académie des Inscriptions et Belles-Lettres (1663), and the establishment of the Royal Printing Office (1640), French publications became more numerous and elaborate. Eighteenth-century France heralded several technical advances in book publishing: thinner and whiter paper; new typefaces engraved on steel; the first use of colored plates in Europe; and the publication of a manual of the printer’s art. These developments enhanced the prestige of French printers and publishers.

The National Gallery of Art Library holds two of the most significant publications of the French press: Encyclopédie, ou, Dictionnaire Raisonné des Sciences, des Arts et des Métiers by Denis Diderot (17 volumes) and Déscription de l’Egypte, ou, Recueil des Observations et des Recherches qui ont Été Faites in Egypte Pendant l’Expedition de l’Armée Française (36 volumes).

Organization: The exhibition was organized by the National Gallery of Art.