This catalog introduces audiences to the 18th century in Portugal, a remarkable period for both history and the history of art, with patrons encouraging a diversity of styles among the works they purchased and commissioned.
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This catalog marked the 40th anniversary of the Shelburne Museum, founded in 1947 by Electra Havemeyer Webb with her collection of American folk art.
This catalog accompanied an exhibition presenting approximately 150 works, all acquired during the last decade of the 20th century, that survey the last five centuries of European and American art.
This catalog documents an exhibition that accompanied a scholarly symposium at Dumbarton Oaks on the results of the excavations of the ritual heart of the Aztec empire, Templo Mayor, and includes works from 23 collections.
The Art of Paul Gauguin reproduces more than 200 works by this important modern artist and includes essays, a chronology, selected writings by the artist, and a list of exhibitions.
This catalog, with 58 of Degas’s works featuring the dancers of the Opera ballet, has two goals: to survey the range of Degas’s treatments of ballet subjects from the late 1860s until the end of his working life sometime after 1900, and to reevaluate Degas’s working methods.
This systematic catalogue of the collection of 19th-century European sculpture at the National Gallery of Art includes entries with a brief biography and selected bibliography for each sculptor, as well as related archival materials.
This catalog, which marked the bicentennial of our nation’s founding in 1776, takes as its focus the author of the Declaration of Independence, Thomas Jefferson, and provides an aesthetic biography of this Founding Father and his commitment to the arts and intellectual life of his time.
The Greek Miracle features 34 original Greek works of marble and bronze sculpture, displaying the development of the Greek classical style.
This catalog accompanied the first international exhibition devoted to Houdon’s art. It provides insights into the history of the remarkable era during which he worked and discusses his sculpture in the rich context of the period
Picasso: The Saltimbanques brings together a selection of the artist’s paintings with related prints and drawings by Picasso and others to trace the traditions of the Harlequin, Pierrot, and the jester, from their origins in the commedia dell’arte of the 17th century to their merger with the circus performers of Picasso’s day.
This catalog, with 100 works spanning four millennia, gives an impression of Indian sculpture on the whole, encompassing the rich diversity of idioms that flourished in the ancient regions of the country.
The approximately 50 works documented in this volume offer a fresh look at this great master and presents a broad survey of Riemenschneider’s career.
Toulouse-Lautrec and Montmartre explores the work of Henri de Toulouse-Lautrec along with that of his contemporaries and the ways in which they depicted the decadent life of Montmartre in the 1890s.
Bringing together works from British country houses, this catalog shows in a broadly chronological way how these private collections were formed and demonstrates the country house’s role as a vessel of civilization.
With more than 180 illustrations and an illuminating essay by Bruce Robertson, this catalog demonstrates the Ebsworth Collection’s rich and varied look at modern American art.