Monotypes
From 1973 to 1984 Bearden worked in the print medium of monotype.
In this technique, an image is painted or drawn on metal or plastic.
(Bearden used a plastic sheet.) The image is transferred to paper
("printed"), either with a printing press or hand-pressure. The
resulting print
is unique, although subsequent "ghost prints," with less intense
results, can be pulled from the original plate. As he did in his
collages, Bearden
often enhanced the print surface with graphite, watercolor,
gouache, or acrylic paint.
Bearden's monotypes demonstrate a loose, painterly style. For example,
Rain Forest—Pool, an oil monotype with paint, suggests
the lush green hills, waterfall, and gentle pools of the Caribbean
island of Saint Martin where Bearden and his wife lived and worked
part time from 1973 to 1987. Nearly monochromatic, the cool green
tones and loose brushy forms subtly convey the landscape of this island
retreat.
This renewed interest in working with paint and more spontaneous
brushwork of his monotypes informed the artist's collages,
some of which became
more painted and painterly over time.
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left: Bearden in St. Martin.
Romare Bearden Foundation, New York. photo: Frank Stewart.
right: Romare Bearden, Rain Forest—Pool,
c. 1978
oil monotype with paint on paper, Private Collection, Cambridge,
Massachusetts.
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