
Mark Rothko, Orange and Tan, 1954 |
Abstract art/abstraction: Art that contains
no recognizable pictorial imagery and uses the elements of art (line, color,
shape, form, texture) to communicate.
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I. M. Pei |
Architect: The person who designs buildings
and oversees their construction.
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National Gallery of Art East Building |
Architecture: The built environment, the art and science of producing buildings and other structures. |
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Henry Moore, Knife Edge Mirror Two Piece, 1976-1978 |
Asymmetry: Without symmetry; not evenly balanced on both sides of a dividing line. |
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Joseph Kosuth, Art as Idea: Nothing, 1968 |
Conceptual art: The idea or concept behind a
work of art is the most important element in conceptual art. The
artist's
concept generates the resulting product, and the work of art is often
executed by studio assistants.
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Donald Judd, Untitled, 1969 |
Minimalism: A style of art, originating in the 1960s, known for its use of simple geometric forms and industrial materials to create large-scale works. It was often characterized as austere and impersonal, with the cool regularity of a machine. |
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National Gallery of Art West Building |
Neoclassical architecture: Buildings and structures that use design elements from ancient Greek and Roman sources. |
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Dan Flavin, untitled (to Barnett Newman to commemorate his simple problem, red, yellow and blue), 1970 |
Symmetry: Correspondence or mirror reflection
in size, shape, and position on opposite sides of a dividing line.
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Frank Stella, Prinz Friedrich von Homburg, Ein Schauspiel, 3X, 1998-2001 |
Three-dimensional art: Art that occupies space;
sculpture and architecture.
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Susan Rothenberg, Butterfly, 1976 |
Two-dimensional art: Flat art like drawings,
paintings, and photographs.
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Imprint of a seal showing a ziggurat. From Babylon, 2nd-1st Mill |
Ziggurat: An ancient Mesopotamian pyramid-style
structure with stepped-back faces or sides.
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