Aelbert Cuyp, The Maas at Dordrecht, early 1650s, 45 1/4 x 67 in., National Gallery of Art, Washington, Andrew W. Mellon Collection

After his death in 1691, Cuyp's fame grew steadily. The greatest collector of his paintings was the eighteenth-century Dordrecht iron dealer and mintmaster Johan van der Linden van Slingeland, who owned forty-one works by the artist. After the sale of his collection in 1785, many of these paintings entered collections in England, where Cuyp's works were greatly admired for their grandeur.

From the mid-eighteenth century onward, the enthusiasm for his paintings was so great in England and France that by 1800 no significant work by the master was left in the Netherlands. Since then, Cuyp's fame has spread even further and many of his finest works are now in American collections, among them masterpieces once owned by Van Slingeland. The present exhibition reunites more than forty of Cuyp's paintings for the first time in over two hundred years, presenting them along with some forty-five of the master's drawings.

 

 

 

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