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Captions
| 17 |
Auguste Rodin, French, 1840-1917,
Victor Hugo, 1886, drypoint (state iii/vii), National Gallery
of Art, Washington, Rosenwald Collection 1943.3.7406 |
| 18 |
Edgar Degas, French, 1834-1917,
and Vicomte Lepic, French, 1839-1889, The Ballet Master,
c. 1874, monotype heightened with white chalk or wash, National
Gallery of Art, Washington, Rosenwald Collection 1964.8.1782 |
| 19 |
Edgar Degas,
French, 1834-1917, Mary Cassatt at the Louvre: The Etruscan Gallery,
1879/1880, softground etching and drypoint (state i/ix), National
Gallery of Art, Washington, Rosenwald Collection 1943.3.3366 |
| 20 |
Edgar Degas, French, 1834-1917,
Mary Cassatt at the Louvre: The Etruscan Gallery, 1879/1880,
softground etching, aquatint, and drypoint (state vi/ix), National
Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon
1995.47.73 |
| 21 |
Edgar Degas, French, 1834-1917,
Mary Cassatt at the Louvre: The Paintings Gallery, 1879/1880,
softground etching, aquatint, and drypoint (state xii-xiii/xx),
National Gallery of Art, Washington, Rosenwald Collection 1946.21.106
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| 22 |
Mary Cassatt, American,
1844-1926, In the Omnibus, c. 1891, drawing in chalk and
graphite, National Gallery of Art, Washington, Rosenwald Collection
1948.11.51.a |
| 23 |
Mary Cassatt, American,
1844-1926, In the Omnibus, c. 1891, softground etching, drypoint,
and graphite (state ii/vii), National Gallery of Art, Washington,
Rosenwald Collection 1946.21.93 |
| 24 |
Mary Cassatt, American,
1844-1926, In the Omnibus, c. 1891, softground etching, drypoint,
and aquatint (state iv/vii), National Gallery of Art, Washington,
Rosenwald Collection 1943.3.2752 |
| 25 |
Mary Cassatt, American,
1844-1926, In the Omnibus, 1890-1891, softground etching,
drypoint, and aquatint (state vii/vii), National Gallery of Art,
Washington, Chester Dale Collection 1963.10.250 |
| 26 |
Jacques Villon, French,
1875-1963, La Parisienne, 1902 (proof 1), softground etching,
etching, and aquatint, National Gallery of Art, Washington, Eugene
L. and Marie-Louise Garbáty Fund 1999.93.1 |
| 27 |
Jacques Villon, French,
1875-1963, La Parisienne, 1902 (proof 2), softground etching,
etching, and aquatint, National Gallery of Art, Washington, Edward
E. MacCrone Fund 1999.93.2 |
| 28 |
Jacques Villon, French,
1875-1963, La Parisienne, 1902 (proof 3), softground etching,
etching, aquatint, watercolor additions, and notations, National
Gallery of Art, Washington, Ailsa Mellon Bruce Fund 1979.17.1 |
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29
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Jacques Villon, French, 1875-1963,
La Parisienne, 1902 (proof 4), softground etching, drypoint,
etching, and aquatint, National Gallery of Art, Washington, Gift
of Philip and Judith Benedict 1997.88.1 |
| 30 |
Jacques Villon, French,
1875-1963, La Parisienne, 1902 (proof 5), softground etching,
drypoint, etching, and aquatint, National Gallery of Art, Washington,
New Century Gift Committee 1999.54.1 |
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31
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Jacques Villon, French,
1875-1963, La Parisienne, 1902 (proof 6), softground etching,
drypoint, etching, and aquatint, National Gallery of Art, Washington,
Gift of Evelyn Stefansson Nef 1999.53.1 |
| 32 |
Jacques Villon, French,
1875-1963, La Parisienne, 1902 (proof 7), softground etching,
drypoint, etching, and aquatint, National Gallery of Art, Washington,
New Century Gift Committee 1999.54.2 |
| 33 |
Jacques Villon, French,
1875-1963, La Parisienne, 1902 (proof 8), softground etching,
drypoint, etching, and aquatint, National Gallery of Art, Washington,
New Century Gift Committee 1999.54.3 |
| 34 |
Jacques Villon, French,
1875-1963, La Parisienne, 1902 (proof 9), drypoint, etching,
aquatint, and burnishing, National Gallery of Art, Washington, New
Century Gift Committee 1999.54.4 |
| 35 |
Jacques Villon, French,
1875-1963, La Parisienne, 1903 (proof 10), drypoint, etching,
and aquatint with scraping and burnishing, National Gallery of Art,
Washington, New Century Gift Committee 1999.54.5 |
| 36 |
Paul Gauguin, French, 1848-1903,
Two Marquesans, c. 1902, graphite and crayon, National Gallery
of Art, Washington, Rosenwald Collection 1964.8.1797.b |
| 37 |
Paul Gauguin, French, 1848-1903,
Two Marquesans, c. 1902, traced monotype retouched with olive
pigment, National Gallery of Art, Washington, Rosenwald Collection
1964.8.1797.a |
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