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Captions
| 1 |
Circle of Mantegna, Italian,
15th Century, Virgin and Child in a Grotto, c. 1475/1480,
engraving, National Gallery of Art, Washington, Rosenwald Collection
1943.3.1329 |
| 2 |
Giovanni Benedetto Castiglione,
Italian, 1609 or before-1664, David with the Head of Goliath,
c. 1655, monotype in oil pigment, National Gallery of Art, Washington,
Andrew W. Mellon Fund 1977.30.1 |
| 3 |
Anthony van Dyck,
Flemish, 1599-1641, Self-Portrait, c. 1629/1630, etching
(state i/vii)
National Gallery of Art, Washington, Rosenwald Collection 1943.3.8250
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| 4 |
Anthony van Dyck, Flemish,
1599-1641, and Jacob Neeffs, Flemish, 1610-after 1660, Self-Portrait,
c. 1629/1630, reworked c. 1645, etching and engraving (state vi/vii),
Title page from Le Cabinet des plus beaux Portraits...faits par
le fameux Antoine van Dyck, published c. 1700, National Gallery
of Art, Washington, Gift of Arthur and Charlotte Vershbow, in Honor
of the 50th Anniversary of the National Gallery of Art 1990.125.1.1
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| 5 |
Rembrandt van Rijn, Dutch,
1606-1669, Upper Portion of the Artist's Head and a Tree,
c. 1641/1642, etching, National Gallery of Art, Washington, Rosenwald
Collection 1943.3.7202 |
| 6 |
Rembrandt van Rijn, Dutch,
1606-1669, Old Man Shading His Eyes with His Hand, c. 1639,
etching and drypoint, National Gallery of Art, Washington, New Century
Fund 1998.25.1 |
| 7 |
Rembrandt van Rijn, Dutch,
1606-1669, The Artist Drawing from the Model, c. 1639, etching,
drypoint, and engraving (state ii/ii), National Gallery of Art,
Washington, Print Purchase Fund (Rosenwald Collection) 1968.4.1
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| 8 |
Rembrandt van Rijn, Dutch,
1606-1669, Christ Presented to the People, 1655, drypoint
(state v/vii), National Gallery of Art, Washington, Rosenwald Collection
1964.8.1863 |
| 9 |
Rembrandt van Rijn, Dutch,
1606-1669, Christ Presented to the People, 1655, drypoint
(state vii/vii), National Gallery of Art, Washington, Rosenwald
Collection 1945.5.109 |
| 10 |
Rembrandt van Rijn, Dutch,
1606-1669, The Three Crosses, c. 1653, drypoint and engraving
on vellum (state i/v), National Gallery of Art, Washington, Gift
of R. Horace Gallatin 1949.1.50 |
| 11 |
Rembrandt van Rijn, Dutch,
1606-1669, The Three Crosses, 1653, drypoint and engraving
(state iii/v), National Gallery of Art, Washington, Rosenwald Collection
1943.3.9115 |
| 12 |
Rembrandt van Rijn, Dutch,
1606-1669, The Three Crosses, c. 1654, drypoint and engraving
(state iv/v), National Gallery of Art, Washington, Rosenwald Collection
1943.3.7174 |
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13
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Charles Nicolas Cochin I,
French, 1688-1754, La Mariée de Village (The Village Bride)
(after Antoine Watteau), 1729, etching proof (state i/iii),
National Gallery of Art, Washington, Andrew W. Mellon Fund 1978.25.3
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| 14 |
Charles-Nicolas Cochin I,
French, 1688-1754, La Mariée de Village (The Village Bride),
1729, from L'oeuvre d' Antoine Watteau, compiled by Jean
de Julienne c. 1740 with engravings by various artists, National
Gallery of Art, Washington, Widener Collection 1942.9.2092 |
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15
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Giovanni Battista Piranesi,
Italian, 1720-1778, The Drawbridge (from the Carceri),
1749/1750, etching, engraving, and scratching (first edition, first
issue, state i/vi), National Gallery of Art, Washington, W.G. Russell
Allen, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Pepita Milmore
Funds 1976.35.5 |
| 16 |
Giovanni Battista Piranesi,
Italian, 1720-1778, The Drawbridge (from the Carceri), published
1780s, etching, engraving, and scratching (second edition, fourth
issue, state v/vi), National Gallery of Art, Washington, Rosenwald
Collection 1943.3.6992 |
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