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The construction untitled (to you, Heiner, with admiration and affection) embodies what fellow minimalist Donald Judd described as Flavin’s "interior articulation" of a space. Extending some 120 feet, the installation of this "green barrier" at the National Gallery of Art fills and redefines the space of the mezzanine terrace by imbuing the mezzanine with a glowing green hue, impeding visitors’ movement as they are forced to navigate around the monumental work and heightening their perception of the architecture. Large-scale works became a focus of Flavin’s late career, with site-specific lights (continue) |
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