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commissioned for such diverse locations as Frank Lloyd Wright’s spiral rotunda at the Guggenheim Museum, a converted nineteenth-century rail station in Berlin (now the Museum für Gegenwart), a converted church in Bridgehampton, New York (established in 1983 as the Dan Flavin Art Institute), and a church in Milan, the last completed posthumously. While the scale had increased, the hardware, aesthetic preoccupations, and ironic humor that Flavin demonstrated in his earliest light experiments were still evident.
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