National Gallery of Art, Masterpieces in Miniature: Italian Manuscript Illumincations from the J. Paul Getty Museum
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Regions: Bologna (2 of 2)

Image: Master of the Brussels Initials, The Calling of Saints Peter and Andrew; Initial D: Saint Andrew; Initial Q: Saint Peter, Bologna, 1389-1404, missal, Leaf: 33 x 24 cm (13 x 9 7/16), The J. Paul Getty Museum, Los Angeles, Ms. 34, fols. 171av-172a, 88.MG.71
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The book trade in Bologna also thrived during the fourteenth century, dominated by the illuminator Niccolò da Bologna (active 1349–1403/1404). Niccolò’s most accomplished follower was the remarkable Master of the Brussels Initials (active c. 1385–1410), who eventually left Italy for a successful career in Paris. The finest work from the latter’s Bolognese period is a missal made for Cardinal Cosimo de' Migliorati (1336–1406), who became Pope Innocent IV in 1404; it was subsequently acquired by the Antipope John XXIII (served 1410–1415). The Brussels Initials Master incorporated Niccolò’s distinct rich tonalities of reds, blues, and golds, along with his intensity of psychological expression. But he also introduced a new element of exuberance and playfulness in the borders with minstrels, hunters, animals, fantastic creatures, and colorful vegetation that seems to grow on the page.

Regions: Florence and Siena (1 of 2)image: forward arrow image: back arrowRegions: Bologna (1 of 2)

image: National Gallery of Art image: Manuscripts in Miniature: Italian Manuscripts Illumination from the J. Paul Getty Museum