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Regions: Florence and Siena (1
of 2)

Pacino di Bonaguida
(1302–c. 1340) became the dominant force
in Florentine manuscript illumination beginning in the 1320s
and is also known as a painter of altarpieces. The
Ascension of Christ is from a laudario,
a hymnal commissioned by the Confraternity of Sant’Agnese,
a prominent organization of devout laymen. The miniature shows
Christ’s last appearance on earth after the Resurrection,
when he ascends into Heaven. The presence of Christ is emphasized
by the mandorla that surrounds him and by his isolation in
the center of the composition. The work
has the impact of a small panel painting, as does another
miniature depicting Christ in Majesty with Twelve Apostles,
which was presumably painted for the same set of choir books
as The Ascension of Christ. Toward the end of his
career Pacino collaborated with the Master of the Dominican
Effigies (active c. 1328–1350), whose miniatures for this set of choirbooks include Christ
and the Virgin Enthroned with Forty Saints and The
Nativity with the Annunciation to the Shepherds.
Regions:
Florence and Siena (2 of 2)
Regions:
Bologna (2 of 2)
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