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The abstract style of Philip Guston’s early works on paper is exemplified in the drawing Untitled of 1953, where the artist creates a spare, tension-filled structure out of vigorous lines and concentrated patches of black ink. In a 1956 review of Guston’s work, Leo Steinberg commented on the slower pace of his abstractions and their sense of having been “hauled up from unspeakable depths of privacy.” |
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