Introduction
Pre-Angkor Period
Pre-Angkor Sculpture
The Beginning of the Angkor Period
The Tenth Century Art of Koh Ker and Banteay Srei
The Eleventh Century Art of the Khleang and Baphuon
Bronze Casting in Cambodia
Sculpture in the Age of Suryavarman II
Jayavarman VII and the Art of the Bayon
The Post-Angkor Period

Bronze Casting in Cambodia

Craftsmen in Southeast Asia had mastered the art of bronze casting by the early centuries a.d., when ritual objects such as urns and bells were fashioned from a copper-tin alloy. In Cambodia the fine craftsmanship of the earliest surviving bronze figures, from the seventh and eighth centuries, indicates long-standing knowledge of lost-wax casting. The techniques practiced by Khmer sculptors are unknown, but the process generally involves making a model out of clay or plaster and encasing it in a fireproof mold, with a layer of wax between the mold and the model. When baked, the wax runs out and molten bronze is poured into the space left by the melted wax.

The Vishnu reclining in cosmic sleep was cast in sections that were then fitted together. Decorative elements, such as the armband, helped mask the joins. The small, rectilinear patches on, for example, the figure's forehead, chest, and upper arm indicate that casting on this monumental scale posed problems for the sculptor. The missing insets for the mustache, eyes, and eyebrows were probably made of precious metals such as gold or silver. Holes in the head indicate that the god once wore a detachable diadem.

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