An International Artist

In the early 1880s, Venice became one of Sargent’s favorite destinations. Ignoring the traditional tourist spots, he explored the city’s vernacular architecture and the daily life of its inhabitants. In Sortie de l’église, Campo San Canciano, Venice (Leaving the Church), he focuses on the black-shawled women crossing the square in the early morning light, which is reflected on the weather-beaten facades. (continue)

International Artist | Triumph and Scandal | Impressionism
Portrait Painter | Watercolors | Late Studies | Brochure Images