Exhibition Brochure | Related Information
Introduction | Paris
| New York | Figuration
to Fracture | Return to the Human Figure
| Images
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| 6. | 7. | 8. | 9. | 10. | 11. |
Captions
| 1. | Crouching Nude Figure, 1910/1911, linocut in brown on oriental paper. National Gallery of Art, Gift of Jack and Margrit Vanderryn, 1997 | |
| 2. | Head of a Man, 1919/1920, woodcut in brown on gray mica paper. National Gallery of Art, Washington, Gift of Jack and Margrit Vanderryn, 1998 | |
| 3. | Standing Nude with Upraised Arm, 1910, charcoal. Private Collection. | |
| 4. | Dancer in Green, 1912, watercolor, graphite, and pen and black ink on paperboard. National Gallery of Art, Washington, Director's Discretionary Fund, 1999 | |
| 5. | Cubist Figure, 1915, pastel. Private Collection. | |
| 6. | Interior of the Fourth Dimension, 1913, oil on canvas. National Gallery of Art, Washington, Gift of Natalie Davis Spingarn in memory of Linda R. Miller and in Honor of the 50th Anniversary of the National Gallery of Art, 1990 | |
| 7. | Rhythm Interlaced, 1915, pastel on paper. Private Collection | |
| 8. | Seated Figure, 1919/1920, color woodcut on laid paper. National Gallery of Art, Washington, Print Purchase Fund (Rosenwald Collection), 1976 | |
| 9. | Crouching Nude, 1919/1920, woodcut in brown on oriental paper. National Gallery of Art, Washington, Gift of Jack and Margrit Vanderryn, 1997 | |
| 10. | Crouching Nude, 1919/1920, color woodcut on laid paper. National Gallery of Art, Washington, Gift of Daryl and Lee Rubenstein, 1976 | |
| 11. | Crouching Nude, 1919/1920, color woodcut on oriental paper. National Gallery of Art, Washington, Print Purchase Fund (Rosenwald Collection), 1976 |
Resources
For an overview of Weber's print oeuvre, see Daryl R. Rubinstein, Max Weber: A Catalogue Raisonné of His Graphic Work (Chicago: University of Chicago Press, 1980).
For an overview of Weber's cubist work, see Percy North, Max Weber: The Cubist Decade, 1910-1920 (Atlanta, High Museum of Art, 1991).
This brochure was written by Charles Ritchie, department
of modern prints and drawings, and produced by the department of exhibition
programs and the editors office.
Introduction | Paris | New
York | Figuration to Fracture | Return
to the Human Figure | Images