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Calder's early work was figurative, but that changed in the fall of 1930 when a friend invited him to visit Mondrian's studio. A close friend of Mondrian's, Maude van Loon, describes the studio: The front door was nothing special; just a wooden door. Between the front door and the studio there was a little vestibule and a dark corridor. Then you went through his door and suddenly there was a marvelous white studio with a colour plane here and there. It was like stepping into paradise . The intense geometry, order, light, design, and color of the room was an extraordinary sight. Calder was deeply affected and later remarked, this one visit gave me a shock that started things, referring to how he developed abstract mobile and stabile forms.
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Copyright © 2008 National Gallery of Art, Washington, DC |
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