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Next, with her model ready, Cameron inserted the large, wet glass plate into her wooden camera, which was equipped with a heavy brass lens. Though briefer than daguerreotype exposure times, she exposed her plates to light for three to eight minutestoo long for even the most patient model to hold completely still. In addition, Cameron's lens did not cover the large size of her glass plate negatives, making it impossible to keep the entire image in focus. |
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Copyright © 2008 National Gallery of Art, Washington, DC |
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