 |
| |
|
||
|
|
|
|
|
|
 |
|
|
Degas
used both tightly controlled and dynamic brushwork in the Dance Lesson.
He combined black and green with white in broad strokes to create the voluminous
tutus.
The dancers’ shawls
are also loosely painted, in sharp contrast to the careful delineation of
the chair,
floor boards, and overall architectural space. |
|||
