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Other artists would emulate Harnett's taut arrangement of objects on a rough, hinged door, though few achieved his sense of balance or economy. John F. Peto's For the Track makes an intriguing comparison. Peto suspended a red jockey's cap, a riding crop, an old horseshoe, betting stubs, a ragged picture of a dark horse, and a racetrack flyer (glowing like Harnett's sheet music) on a worn green door. Like Harnett, he included an illegible newspaper clipping and stuck a blue envelope in the frame. |
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