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William
Michael Harnett, The Old Violin (detail), 1886, National
Gallery of Art, Washington, Gift of Mr. and Mrs. Richard Mellon
Scaife in honor of Paul Mellon 1993.15.1
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The
hinges were produced in a fairly simple, two-step process. Harnett
first added either sand or coarsely ground pigment to brown paint
to make a rough underlayer. For the rusty highlights, he pulled
a dry brush, touched with orange paint, over the brown surface.
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