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Johns never settled into one single style. His work continually changes veering from complete abstraction to trompe l'oeil illusionism. From the 1960s on, he moved away from iconic images to more complex ones. He also created sculpture and prints. In the 1980s, he said that continuing to hide his personality in his art "seemed like a losing battle." His work became increasingly personal and referential of other art and his own. |
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Copyright © 2008 National Gallery of Art, Washington, DC |
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