|
|
||
|
Rembrandt followed an unusual interpretation that appeared in the Dutch States Bible of 1637: rather than depicting three similar angels, each is unique. God is represented as a large, bearded man. He is given center stage as the dominant figure who has come to speak directly to Abraham. The distinctive facial features and arrangement of the angelsseated in a semicircle on the ground before a platter of foodare adapted from a Moghul miniature painting in Rembrandt's own collection. He often sought out Middle Eastern sources and motifs to make biblical images historically resonant.
|
||||
Copyright © 2008 National Gallery of Art, Washington, DC |
|||||