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The paintings and photographs that Steichen made at the turn of the century were of similar subjects: vaporous,tree-filled landscapes captured at dusk or in moonlight. The paintings, rendered in low-keyed hues of blues and greens or browns and grays and infused with soft-filtered light, were characteristic of a contemporaneous American art movement called tonalism. Steichen was also influenced by European symbolist painters and the "nocturnes and symphonies" of James McNeill Whistler. |
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Copyright © 2008 National Gallery of Art, Washington, DC |
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