National Gallery of Art: Art for the Nation Johannes Verspronck's signature  
TechniqueThe ArtistThe Painting Johannes Verspronck's signature Previous page Next page
Andries Stilte as a Standard Bearer Johannes Verspronck  
 

 
Judith Leyster, Self-Portrait, c. 1630, National Gallery of Art, Washington, Gift of Mr. and Mrs. Robert Woods Bliss 1949.6.1

The Dutch Republic spawned thousands of artists who produced millions of paintings over the course of the century. Paintings decorated modest private homes as well as the walls of butcher shops and bakeries, and were even displayed around blacksmiths’ forges. This explosive production was the result of a new type of art market. Throughout the rest of Europe, artists worked on commission for the nobility or the church. Dutch artists competed on the open market. Most approached painting as a craft, specializing in certain types of imagery—history, genre, still-life, and portraiture. Specialization kept the production rate high and prices low.

 



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