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Johannes Cornelisz.
Verspronck, Portrait of a Man, 1641, Rijksmuseum Twenthe,
Enschede |
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Johannes
Cornelisz. Verspronck, Portrait of a Woman, 1640, Rijksmuseum
Twenthe, Enschede |
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The
gesture also appeared in marriage portraits of the period, signifying
the husbands role as leader and protector of the family. His active
role contrasts with his wifes more passive one.

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