    
Picasso, Head of a Weeping Woman, Study for Guernica, 31 May 1937, Museo Nacional Centro de Arte Reina Sofia, Madrid
Throughout the early 1940s Pollock absorbed, entwined, and repositioned a raft of potent influences that mark his mid-career output.
Pollock's intense admiration of Picasso was based on exposure to a number of the Spanish master's works.
  
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