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LEFT: Johannes Vermeer, Woman Holding a Balance (detail), c. 1664, National Gallery of Art, Widener Collection.
CENTER: Annibale Carracci, Venus Adorned by the Graces (detail), 1590/1595, National Gallery of Art, Samuel H. Kress Collection.
RIGHT: Georges de La Tour, The Repentant Magdalene (detail), c. 1640, National Gallery of Art, Ailsa Mellon Bruce Fund.
In Vermeer's painting, a frame on the wall contains a mirror. Mirrors in art often symbolize vanity or self-knowledge, as seen here in works by Annibale Carracci and Georges de La Tour.
In Vermeer's painting, a frame on the wall contains a mirror. Mirrors in art often symbolize vanity or self-knowledge, as seen here in works by Annibale Carracci and Georges de La Tour.
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