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National Gallery of Art - VIDEOS AND PODCASTS

National Gallery of Art Audio Podcasts: 2008

2012 | 2011 | 2010 | 2009 | 2008 | 2007

This audio series offers entertaining, informative discussions about the arts and events at the National Gallery of Art. Notable Lectures podcasts gives access to special Gallery talks by well-known artists, authors, curators, and historians. Included in this podcast listing are established series:

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December 2008
Notable Lectures
Image: Dr. Strangelove or:How I Learned to Stop Worrying and Love the Bomb (1964) Directed by Stanley Kubrick Shown: Director Stanley Kubrick Credit: Columbia Pictures/Photofest ©Columbia Pictures

Stanley Kubrick: Two Views
Robert Kolker, professor, Film Studies & Digital Media, School of Literature, Communication, and Culture, Georgia Institute of Technology, and James Naremore, Chancellor's Professor of Speech Communication, Chancellor's Professor of Comparative Literature, Chancellor's Professor of English, professor of film studies, Indiana University
July 26, 2008, marked the 80th birthday of Stanley Kubrick. To celebrate the occasion, Robert Kolker and James Naremore reviewed the director's contributions through a focused dialogue based on two of Kubrick's landmark films: a new restoration of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb and his last and most enigmatic work, Eyes Wide Shut. Robert Kolker edited Stanley Kubrick's 2001: A Space Odyssey: New Essays (2006) and James Naremore is the author of On Kubrick (2007).


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Image: Conrad Rudolph, professor of medieval art history, University of California at Riverside

Time, Space, and the Progress of History in the Medieval Map
Conrad Rudolph, professor of medieval art history, University of California at Riverside
Rudolph demonstrates how medieval maps informed their users not only of where they were at that moment, but of where they had been in the past and would be in the future, sometimes in relation to the entire human race. In this Notable Lectures podcast, recorded on December 14, 2008, as part of the Gallery's fall lecture series, particular attention is given to the world map in Hugh of Saint Victor's The Mystic Ark, c. 1125–1130.


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Image: Conversations with Authors: Calvin Tomkins

Conversations with Authors: Calvin Tomkins
Calvin Tomkins, author and staff writer, New Yorker, and Harry Cooper, curator of modern and contemporary art, National Gallery of Art
In his latest book Lives of the Artists, Tomkins explores 10 major artists to demonstrate the direction that contemporary art is taking. In this Notable Lectures podcast, recorded on November 23, 2008, as part of the Gallery's fall lecture series, he and Harry Cooper discuss the book, touching on artists such as Marcel Duchamp and Jasper Johns. The book is available for purchase from the Gallery Shop.


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Image: To Live with Myths in Pompeii and Beyond

The Sydney J. Freedberg Lecture on Italian Art 2008: To Live with Myths in Pompeii and Beyond
Paul Zanker, professor of art history, Scuola Normale Superiore, Pisa
In this podcast, recorded on November 9, 2008, as part of the Sydney J. Freedberg Lecture on Italian Art series, Paul Zanker explains that for ancient Greeks, myths were stories of gods, heroes, and ordinary people who had religious authority. These stories and their artistic representations served as guides and models for living in varying circumstances. However, myths did not embody religious teaching or moral precepts for human behavior; these stories described fate—the highs and lows of being human—to which everyone could relate, and in which they could take comfort. Despite the cultural shifts of the Roman world, these ancient myths retained their purpose and impact in the art of Pompeii and other sites in Italy. This lecture coincided with the exhibition Pompeii and the Roman Villa: Art and Culture Around the Bay of Naples on view at the National Gallery of Art from October 19, 2008, to March 22, 2009.


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Image: Let's Talk: A Conversation with Peter Schjeldahl

Let's Talk: A Conversation with Peter Schjeldahl
Peter Schjeldahl, senior art critic, New Yorker
In his book Let's See: Writings on Art from the New Yorker, Schjeldahl covers large-scale exhibitions and private gallery shows and profiles leaders in the art world as well as the artists themselves. In this Notable Lectures podcast, recorded on November 2, 2008, as part of the Gallery's fall lecture series, he discusses his work as an art critic, reads excerpts from his book, and answers questions from the audience. The book is available for purchase from the Gallery Shop.


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November 2008
Backstory
Image: Jan Lievens, Part 3: Return to the Netherlands (1644–1674)

Jan Lievens, Part 3: Return to the Netherlands (1644–1674)
Arthur Wheelock, curator of northern baroque painting, National Gallery of Art
In the third of this three-part Backstory podcast, produced on the occasion of the Gallery exhibition Jan Lievens: A Dutch Master Rediscovered, Wheelock talks about Lievens' success and legacy.


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Image: Jan Lievens, Part 2: London and Antwerp (1632–1644)

Jan Lievens, Part 2: London and Antwerp (1632–1644)
Arthur Wheelock, curator of northern baroque painting, National Gallery of Art
In the second of this three-part Backstory podcast, produced on the occasion of the Gallery exhibition Jan Lievens: A Dutch Master Rediscovered, Wheelock talks about changes in Lievens' style and the influence of Anthony Van Dyck.


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Image: Jan Lievens, Part 1: The Leiden Years (1620–1632)

Jan Lievens, Part 1: The Leiden Years (1620–1632)
Arthur Wheelock, curator of northern baroque painting, National Gallery of Art
Jan Lievens was a child prodigy, whose later career was marked by important civic and private commissions. Nevertheless, his name today barely registers in the public consciousness. In the first of this three-part Backstory podcast, produced on the occasion of the Gallery exhibition Jan Lievens: A Dutch Master Rediscovered, Wheelock talks about Lievens' early career and his relationship with Rembrandt.


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Image: Joseph Wright (British, 1734 - 1797) Vesuvius from Portici, c. 1774-1776 oil on canvas 101 x 127 cm (39 3/4 x 50 in.) The Huntington Library, Art Collections, and Botanical Gardens; Acquired with funds from the Frances Crandall Dyke Bequest

Pompeii and the Roman Villa, Part 5: Rediscovery and Reinvention
Carol Mattusch, guest curator and professor, George Mason University
In the fifth of this five-part Backstory podcast, produced on the occasion of the Gallery exhibition Pompeii and the Roman Villa: Art and Culture around the Bay of Naples, Mattusch talks to Tempchin about the impact the excavations of these ancient sites have had on the modern world.


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October 2008
Backstory
Image: Herculaneum, near the theater Alexander the Great on horseback, 1st century BC - 1st century AD bronze 50 cm (19 3/4 in.) Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei, Museo Archeologico Nazionale di Napoli Photography © Luciano Pedicini

Pompeii and the Roman Villa, Part 4: The Greek Legacy
Carol Mattusch, guest curator and professor, George Mason University
In the fourth of this five-part Backstory podcast, produced on the occasion of the Gallery exhibition Pompeii and the Roman Villa: Art and Culture around the Bay of Naples, Mattusch talks to Tempchin about the Greek legacy in Roman culture.


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Image: Moregine, Triclinium A, central wall Apollo with muses Clio and Euterpe, 1st century AD fresco, 250 x 500 cm (98 1/2 x 196 7/8 in.) Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei, Ufficio Scavi, Pompei Fotografica Foglia, Alfredo and Pio Foglia

Pompeii and the Roman Villa, Part 3: Triclinium of Moregine
Carol Mattusch, guest curator and professor, George Mason University
In the third of this five-part Backstory podcast, produced on the occasion of the Gallery exhibition Pompeii and the Roman Villa: Art and Culture around the Bay of Naples, Mattusch talks to Tempchin about the role of the dining room in a Roman villa.


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Image: Pompeii, House of the Golden Bracelet Garden Scene, 1st century BC - 1st century AD fresco, 200 x 357 cm (78 3/4 x 140 5/8 in.) Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei, Ufficio Scavi, Pompei Photography © Luciano Pedicini

Pompeii and the Roman Villa, Part 2: Courtyards and Gardens
Carol Mattusch, guest curator and professor, George Mason University
In the second of this five-part Backstory podcast, produced on the occasion of the Gallery exhibition Pompeii and the Roman Villa: Art and Culture around the Bay of Naples, Mattusch talks to Tempchin about the sculptures and designs of the villas' gardens.


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Image: Rione Terra at Puteoli (Pozzuoli) Portrait of Gaius/Caligula, AD 37-41 white Parian (?) marble Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei, Museo Archeologico dei Campi Flegrei, Baia © Mimmo Jodice/Contrasto

Pompeii and the Roman Villa, Part 1: Patrons at Home
Carol Mattusch, guest curator and professor, George Mason University
In the second century BC, Roman aristocrats began to build lavish seaside villas on the picturesque Bay of Naples—in the shadow of Mt. Vesuvius. In the first of this five-part Backstory podcast, produced on the occasion of the Gallery exhibition Pompeii and the Roman Villa: Art and Culture around the Bay of Naples, Mattusch talks to Tempchin about the vacationing Roman elite who inhabited this region.


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September 2008
Backstory
Image: George de Forest Brush (American, 1854/1855–1941) The Silence Broken, 1886 oil on canvas Collection of David H. Koch

George de Forest Brush, Part 2: Tradition and Modernity
Nancy Anderson, curator of American and British paintings, National Gallery of Art
In the second of this two-part Backstory podcast, produced on the occasion of the exhibition George de Forest Brush: The Indian Paintings, Anderson talks to Tempchin about the social and historical contexts of Brush's Indian paintings.


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Image: George de Forest Brush (American, 1855–1941) The White Swan, 1885 oil on panel Russell and Michelle Ball Collection

George de Forest Brush, Part 1: The Advent of the Indian Paintings
Nancy Anderson, curator of American and British paintings, National Gallery of Art
George de Forest Brush (1854/1855–1941) combined extraordinary technical skills acquired during several years of studio training in Paris with firsthand experience living among the Arapahoe, Shoshone, and Crow Indians in Wyoming and Montana. In the first of this two-part Backstory podcast, produced on the occasion of the exhibition George de Forest Brush: The Indian Paintings, Anderson talks to Tempchin about Brush's life and his legacy.


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Art talk
Image: Martin Puryear, American (born 1941) Sharp and Flat, 1987 pine Collection Harry W. and Mary Margaret Anderson © 2008 Martin Puryear. Image courtesy McKee Gallery, New York Martin Puryear, Part 2: Defining the Object
Ruth Fine, curator of special projects in modern art, National Gallery of Art, and John Elderfield, exhibition curator and chief curator emeritus of painting and sculpture, The Museum of Modern Art
In the second of this two-part podcast, produced on the occasion of the Gallery exhibition Martin Puryear, the two curators converse about Elderfield's own interpretation of the artist's sculptures.

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Image: Martin Puryear, American (born 1941) C.F.A.O., 2006-2007 painted and unpainted pine and found wheelbarrow Courtesy the artist and Donald Young Gallery, Chicago © 2008 Martin Puryear. Photo Richard P. Goodbody Martin Puryear, Part 1: Evolution of an Exhibition
Ruth Fine, curator of special projects in modern art, National Gallery of Art, and John Elderfield, exhibition curator and chief curator emeritus of painting and sculpture, The Museum of Modern Art
Internationally acclaimed artist and native Washingtonian Martin Puryear creates monumental sculptures that recall architecture, craft traditions, and organic forms. In the first of this two-part podcast, produced on the occasion of the Gallery exhibition Martin Puryear, Elderfield talks to Fine about working with the artist to develop this landmark show.

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August 2008
Art talk
Image: Richard Misrach (born 1949) Untitled 1139-03, 2003 chromogenic print Collection of the Artist. Courtesy Fraenkel Gallery, San Francisco; Pace/MacGill Gallery, New York and Marc Selwyn Fine Arts, Los Angeles

Richard Misrach, Part 3: On the Beach
Photographer Richard Misrach and Sarah Greenough, senior curator of photographs, National Gallery of Art
In the third of this three-part podcast, produced on the occasion of the exhibition Richard Misrach: On the Beach, Misrach and Greenough delve into the impact of new photographic technology on his art and the inspiration for his series.

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Image: Richard Misrach (born 1949) Untitled 696-05, 2005 chromogenic print Collection of the Artist. Courtesy Fraenkel Gallery, San Francisco; Pace/MacGill Gallery, New York and Marc Selwyn Fine Arts, Los Angeles Richard Misrach, Part 2: Color and Scale
Photographer Richard Misrach and Sarah Greenough, senior curator of photographs, National Gallery of Art
In the second of this three-part podcast, produced on the occasion of the exhibition Richard Misrach: On the Beach, Misrach discusses the process by which he reached his current photographic style.

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Image: Richard Misrach (born 1949) Untitled 1132-04, 2004 chromogenic print Collection of the Artist. Courtesy Fraenkel Gallery, San Francisco; Pace/MacGill Gallery, New York and Marc Selwyn Fine Arts, Los Angeles Richard Misrach, Part 1: Origins and Influences
Photographer Richard Misrach and Sarah Greenough, senior curator of photographs, National Gallery of Art
Employing an aerial perspective, Richard Misrach instilled his monumental beach series with a sense of disquiet: with references to the horizon and sky eliminated, figures appear isolated and vulnerable. In the first of this three-part podcast, produced on the occasion of the exhibition Richard Misrach: On the Beach, he talks to Sarah Greenough about the influences and origins of his photographic career.


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Backstory
Image: Headdress ornament in the form of a ram (Tillya Tepe, Tomb IV), 1st century BC-1st century AD gold National Museum of Afghanistan ©Thierry Ollivier / Musée Guimet

Afghan Treasures: Rescuing Tillya Tepe's Gold, Part 4
Fredrik Hiebert, National Geographic Archaeology Fellow and exhibition curator
In the last of this four-part podcast Fredrik Hiebert, exhibition curator and National Geographic Archaeology Fellow, talks to host Barbara Tempchin about the luxurious gold ornaments and jewelry found at Tillya Tepe on the eve of the Soviet invasion. Produced in conjunction with the exhibition Afghanistan: Hidden Treasures from the National Museum, Kabul.


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July 2008
Backstory
Image: Goblet depicting figures harvesting dates (Begram, Room 10), 1st-2nd centuries AD glass and paint National Museum of Afghanistan ©Thierry Ollivier / Musée Guimet

Afghan Treasures: The Silk Road Revealed at Begram, Part 3
Fredrik Hiebert, National Geographic Archaeology Fellow and exhibition curator
In the third of this four-part podcast Fredrik Hiebert, exhibition curator and National Geographic Archaeology Fellow, talks to host Barbara Tempchin about the incredible discovery from Begram, a Silk Road merchant's warehouse with the contents found completely intact. Produced in conjunction with the exhibition Afghanistan: Hidden Treasures from the National Museum, Kabul.


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June 2008
Backstory
Image: Crown (Tillya Tepe, Tomb VI), 1st century BC-1st century AD gold and imitation turquoise National Museum of Afghanistan ©Thierry Ollivier / Musée Guimet

Afghan Treasures: In Search of Lady Moon-Aï Khanum, Part 2
Fredrik Hiebert, National Geographic Archaeology Fellow and exhibition curator
In the second of this four-part podcast Fredrik Hiebert, exhibition curator and National Geographic Archaeology Fellow, talks to host Barbara Tempchin about the Aï Khanum archaeological site and the impact of Alexander the Great on the region. Produced in conjunction with the exhibition Afghanistan: Hidden Treasures from the National Museum, Kabul.


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Image: One of a pair of pendants showing the Dragon Master, Tillya Tepe, Tomb II Second quarter of the 1st century AD Gold, turquoise, garnet, lapis lazuli, carnelian and pearls National Museum of Afghanistan Photo © Thierry Ollivier/Musée Guimet

Afghan Treasures: The Bactrian Hoard and Tepe Fullol, Part 1
Fredrik Hiebert, National Geographic Archaeology Fellow and exhibition curator
Afghanistan was in ancient times the heart of the Silk Road, linking cultures from Asia to the Mediterranean. Many thought the country's extraordinary archaeological treasures had been stolen or destroyed during recent decades of conflict in the region, but in 2003 they were recovered intact. Some 230 of these artifacts are now on view in the exhibition Afghanistan: Hidden Treasures from the National Museum, Kabul.

In the first of this four-part podcast Fredrik Hiebert, exhibition curator and National Geographic Archaeology Fellow, talks to host Barbara Tempchin about the heroism displayed by the Afghan people who kept these treasures hidden for decades. They also discuss one of the oldest archaeological sites, Tepe Fullol.


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May 2008
Art talk
Image: Robert Marshall Watts, American, 1923–1988 Untitled (Assorted Eggs from American Supermarket), 1964 chrome-plated and flocked eggs, each: 2 1/4 x 1 3/4 in. Dorothy and Herbert Vogel Collection The Vogel Collection Story: Part 3, The Fifty Works for Fifty States Project
Ruth Fine, curator of special projects in modern art, National Gallery of Art, and collectors Dorothy and Herbert Vogel
Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our time, including Christo and Jeanne-Claude, Sol LeWitt, Richard Tuttle, and Pat Steir. Curator of special projects in modern art, Ruth Fine, spoke with the Vogels shortly after they announced The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States project, which will distribute their vast collection across the country for all to enjoy. In the final part of this three-part podcast, the Vogels discuss the impact they hope their project will have on the arts nationwide.

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Image: Pat Steir, American, born 1940 Red Cascade, 1996–97 oil on canvas, 30 1/8 x 30 1/8 in. Dorothy and Herbert Vogel Collection The Vogel Collection Story: Part 2, Working with the National Gallery of Art
Ruth Fine, curator of special projects in modern art, National Gallery of Art, and collectors Dorothy and Herbert Vogel
Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our time, including Christo and Jeanne-Claude, Sol LeWitt, Richard Tuttle, and Pat Steir. Curator of special projects in modern art, Ruth Fine, spoke with the Vogels shortly after they announced The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States project, which will distribute their vast collection across the country for all to enjoy. In the second part of this three-part podcast, the Vogels discuss their choice of the National Gallery of Art for their collection.

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April 2008
Art talk
Image: Stephen Antonakos, American, born 1926 Nov #2 1986, 1986 colored pencil on vellum, sheet: 23 5/8 x 20 in. Dorothy and Herbert Vogel Collection The Vogel Collection Story: Part 1, Meeting and Collecting
Ruth Fine, curator of special projects in modern art, National Gallery of Art, and collectors Dorothy and Herbert Vogel
Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our time, including Christo and Jeanne-Claude, Sol LeWitt, Richard Tuttle, and Pat Steir. Curator of special projects in modern art, Ruth Fine, spoke with the Vogels shortly after they announced The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States project, which will distribute their vast collection across the country for all to enjoy. In part one of this three-part podcast, the Vogels discuss how they met, and how they started collecting art.

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Image: Edward King Tenison, Irish (1805 - 1878) Segovia, 1852 salted paper print Bibliothèque Nationale de France, Paris The Paper Tiger: Calotypes in Great Britain, Part 2
Sarah Greenough, senior curator of photographs, National Gallery of Art, and Roger Taylor, professor of photographic history at De Montfort University, Leicester
Two methods of fixing an image dominated the early days of photography: the one-of-a-kind daguerreotype and the replicable calotype, which was made using paper negatives. In the second of this two-part episode, Gallery curator Sarah Greenough and Professor Roger Taylor of De Montfort University discuss some of the best calotypists, the subjects that fascinated them, and the slow death of the medium as it was supplanted by more popular photographic processes. Produced in conjunction with the exhibition Impressed by Light: British Photographs from Paper Negatives, 1840–1860.

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Image: 	 Talbot, William Henry Fox British, 1800 - 1877 [Wild Fennel], 1841-1842, salted paper print, image: 18.7 x 22.7 cm (7 3/8 x 8 15/16 in.) mat: 35.66 x 43.2 cm (14 1/16 x 17 in.) framed: 43.2 x 50.8 cm (17 x 20 in.), Lent by The Metropolitan Museum of Art, Gilman Collection, Purchase, Mr. and Mrs. Andrew W. Saul Gift, 2005 The Paper Tiger: Calotypes in Great Britain, Part 1
Sarah Greenough, senior curator of photographs, National Gallery of Art, and Roger Taylor, professor of photographic history at De Montfort University, Leicester
Two methods of fixing an image dominated the early days of photography: the one-of-a-kind daguerreotype and the replicable calotype, which was made using paper negatives. In the first of this two-part episode, Gallery curator Sarah Greenough, and Professor Roger Taylor of De Montfort University discuss the emergence of the calotype and how it competed with the emergence of glass negatives. Produced in conjunction with the exhibition Impressed by Light: British Photographs from Paper Negatives, 1840–1860.

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Backstory
Image: Gaston Tissandier La photographie, 1882 National Gallery of Art Library David K. E. Bruce Fund Tools of the Trade
Neal Turtell, executive librarian, National Gallery of Art
Artists in the 19th and early 20th century had access to more up-to-date information about art technique and technology than any generation before. Tools of the Trade—in the National Gallery of Art library—offers a fascinating look back in time. The display complements In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet, a showcase of 19th-century landscapes created in the famous forest south of Paris. Executive librarian Neal Turtell talks with Backstory host, Barbara Tempchin, about Tools of the Trade. Produced in conjunction with the exhibition In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet.

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March 2008
Backstory
Image: The Italian Legacy in Washington, D.C. The Italian Legacy in Washington, DC
Maygene Daniels, chief of Gallery Archives, National Gallery of Art
From its inception, the design of the West Building of the National Gallery of Art was inspired by Italian tradition in art and architecture. The Gallery's collection of Italian paintings is considered to be among the finest in the world, and John Russell Pope's neoclassical design is reminiscent of ancient Rome's Pantheon. In this podcast, host Barbara Tempchin and Gallery chief archivist Maygene Daniels talk about the enduring link between Italian traditions and the National Gallery of Art.
Download the Program Flyer (PDF 136k) (Download Acrobat Reader)

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Image: Augustin Enfantin (1793–1827) An Artist Painting in the Forest of Fontainebleau, c. 1825 oil on paper mounted on canvas Private Collection The Magic of Fontainebleau
Kimberly Jones, associate curator of French paintings, National Gallery of Art
At one time it was a royal hunting ground for kings and emperors, but in the 19th century, the Forest of Fontainebleau became a magnet for artists and tourists. It was the birthplace of impressionism, and its rugged features and old-growth forests provided artists with endless visually compelling scenes to paint and photograph. In this Backstory episode, curator Kimberly Jones and host Barbara Tempchin discuss the Forest of Fontainebleau and the important place it holds in the history of open-air painting. Produced in conjunction with the exhibition In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet.

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February 2008
Art talk
Image: Robert Rauschenberg, American, born 1925 Soviet/American Array III, 1988 photogravure on wove paper National Gallery of Art, Washington, Gift of Universal Limited Art Editions and the Artist Robert Rauschenberg, Part 1: Printmaking, Collaboration, and Language
Charles Ritchie, associate curator of modern prints and drawings, National Gallery of Art, and Mary Lynn Kotz, Rauschenberg biographer
Robert Rauschenberg has consistently created vital art for more than 50 years. In the first episode of this four-part series, Gallery curator Charles Ritchie and Rauschenberg biographer Mary Lynn Kotz discuss why the artist chose printmaking as a favorite medium and why collaboration has been central to his creative process. Produced in conjunction with the exhibition Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections.

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Image: Robert Rauschenberg, American, born 1925 Soviet/American Array III, 1988 photogravure on wove paper National Gallery of Art, Washington, Gift of Universal Limited Art Editions and the Artist Robert Rauschenberg, Part 2: The Personal and the Global
Charles Ritchie, associate curator of modern prints and drawings, National Gallery of Art, and Mary Lynn Kotz, Rauschenberg biographer
Robert Rauschenberg has consistently created vital art for more than 50 years. Everything from newspaper clippings to family images is crucial to his work. In the second episode of this four-part series, Gallery curator Charles Ritchie and Rauschenberg biographer May Lynn Kotz discuss how Rauschenberg's art has always incorporated both personal and global references. Produced in conjunction with the exhibition Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections.

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Image: Robert Rauschenberg, American, born 1925 Soviet/American Array III, 1988 photogravure on wove paper National Gallery of Art, Washington, Gift of Universal Limited Art Editions and the Artist Robert Rauschenberg, Part 3: Family Matters
Charles Ritchie, associate curator of modern prints and drawings, National Gallery of Art, and Mary Lynn Kotz, Rauschenberg biographer
Robert Rauschenberg has consistently created vital art for more than 50 years and family relationships have been influential. In the third episode of this four-part series, Gallery curator Charles Ritchie and Rauschenberg biographer Mary Lynn Kotz discuss the role that the artist's parents played in his becoming an artist, and how his strained relationship with his father affected his art. Produced in conjunction with the exhibition Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections.

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Image: Robert Rauschenberg, American, born 1925 Soviet/American Array III, 1988 photogravure on wove paper National Gallery of Art, Washington, Gift of Universal Limited Art Editions and the Artist Robert Rauschenberg, Part 4: Today's Work
Charles Ritchie, associate curator of modern prints and drawings, National Gallery of Art, and Mary Lynn Kotz, Rauschenberg biographer
Robert Rauschenberg has consistently created vital art for more than 50 years. Now working from a wheelchair after a series of strokes, Rauschenberg continues to produce new art. In the last episode of this four-part series, Gallery curator Charles Ritchie and Rauschenberg biographer Mary Lynn Kotz discuss his current work—the Lotus series—and reveal how his ROCI series got its name. Produced in conjunction with the exhibition Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections.

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Backstory
Image: Salomon van Ruysdael, Ferry on a River, 1649 Going Dutch: Exploring Paintings from the Netherlands, Part 2
Arthur K. Wheelock Jr., curator of northern baroque paintings, National Gallery of Art
Why do so many people love Dutch paintings? Whether it is the stunning landscapes, the seemingly familiar portraits, or the lush still lifes, these centuries-old paintings still resonate today. In the second part of this Backstory episode, curator Arthur Wheelock and host Barbara Tempchin discuss the National Gallery of Art Dutch paintings collection, how it grew, and the recent acquisition of a Salomon van Ruysdael masterpiece.

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January 2008
Art talk
Image: Pier Jacopo Alari-Bonacolsi, called Antico Mantuan, c. 1460–1528 Seated Nymph, 1503 bronze with mercury gilding on the drapery and hair and silver foil in the eyes

Bronze and Boxwood: Sculpting the Robert H. Smith Collection
Nicholas Penny, senior curator of sculpture and decorative arts, National Gallery of Art, and Dylan Smith, Robert H. Smith Research Conservator, National Gallery of Art
Robert H. Smith has amassed one of the most important private collections of Renaissance sculptures in the world. The Smith collection includes bronzes by masters such as Antico, Giovanni Bologna, and Antonio Susini, as well as eye-catching works in ivory and boxwood. Nicholas Penny—in his last podcast as National Gallery of Art curator of sculpture and decorative arts before he assumes directorship of the National Gallery, London—talks to Robert H. Smith Research Conservator Dylan Smith about these beautiful works of art, their composition, and how they were made. Produced in conjunction with the exhibition Bronze and Boxwood: Renaissance Masterpieces from the Robert H. Smith Collection.

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Backstory
Image: Salomon van Ruysdael, Ferry on a River, 1649 Going Dutch: Exploring Paintings from the Netherlands, Part 1
Arthur K. Wheelock Jr., curator of northern baroque paintings, National Gallery of Art
Why do so many people love Dutch paintings? Whether it is the stunning landscapes, the seemingly familiar portraits, or the lush still lifes, these centuries-old paintings still resonate today. In the first part of this Backstory episode, curator Arthur Wheelock and host Barbara Tempchin discuss these masterpieces and why they continue to fascinate us.

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Image: Pisanello Lion Being Taught by Cupid to Sing, 1444, Samuel H. Kress Collection 1957.14.602.b Why Medals Matter: The Story of the Renaissance Medal
Eleonora Luciano, associate curator of sculpture, National Gallery of Art
Medals, like those given out at the Olympics, are typically associated with feats of athleticism. However, during the Renaissance, medals were used for purposes of propaganda. The National Gallery of Art has released a two-volume, 1,200-page catalogue of its Renaissance medals collection, one of the world's most outstanding. In this podcast, one of the authors, Gallery associate curator Eleonora Luciano, talks to host Barbara Tempchin about these intriguing works of art.

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Notable Lectures | Video Podcasts | Music Programs | The Diamonstein-Spielvogel Lecture Series | The Sydney J. Freedberg Lecture on Italian Art | Elson Lecture Series | A. W. Mellon Lectures in the Fine Arts | Conversations with Artists Series | Conversations with Collectors Series | Wyeth Lectures in American Art Series