| This audio series offers entertaining, informative discussions about the arts and events at the National Gallery of Art. podcasts gives access to special Gallery talks by well-known artists, authors, curators, and historians. Included in this podcast listing are established series: Subscribe to the Gallery's RSS feed. Help |
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| December 2008 | |
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Stanley Kubrick: Two Views | iTunes | RSS |
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Time, Space, and the Progress of History in the Medieval Map | iTunes | RSS |
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Conversations with Authors: Calvin Tomkins | iTunes | RSS |
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The Sydney J. Freedberg Lecture on Italian Art 2008: To Live with Myths in Pompeii and Beyond | iTunes | RSS |
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Let's Talk: A Conversation with Peter Schjeldahl | iTunes | RSS |
| November 2008 | |
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Jan Lievens, Part 3: Return to the Netherlands (1644–1674) | iTunes | RSS |
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Jan Lievens, Part 2: London and Antwerp (1632–1644) | iTunes | RSS |
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Jan Lievens, Part 1: The Leiden Years (1620–1632) | iTunes | RSS |
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Pompeii and the Roman Villa, Part 5: Rediscovery and Reinvention | iTunes | RSS |
| October 2008 | |
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Pompeii and the Roman Villa, Part 4: The Greek Legacy | iTunes | RSS |
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Pompeii and the Roman Villa, Part 3: Triclinium of Moregine | iTunes | RSS |
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Pompeii and the Roman Villa, Part 2: Courtyards and Gardens | iTunes | RSS |
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Pompeii and the Roman Villa, Part 1: Patrons at Home | iTunes | RSS |
| September 2008 | |
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George de Forest Brush, Part 2: Tradition and Modernity | iTunes | RSS |
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George de Forest Brush, Part 1: The Advent of the Indian Paintings | iTunes | RSS |
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Martin Puryear, Part 2: Defining the Object Ruth Fine, curator of special projects in modern art, National Gallery of Art, and John Elderfield, exhibition curator and chief curator emeritus of painting and sculpture, The Museum of Modern Art In the second of this two-part podcast, produced on the occasion of the Gallery exhibition Martin Puryear, the two curators converse about Elderfield's own interpretation of the artist's sculptures. | iTunes | RSS |
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Martin Puryear, Part 1: Evolution of an Exhibition Ruth Fine, curator of special projects in modern art, National Gallery of Art, and John Elderfield, exhibition curator and chief curator emeritus of painting and sculpture, The Museum of Modern Art Internationally acclaimed artist and native Washingtonian Martin Puryear creates monumental sculptures that recall architecture, craft traditions, and organic forms. In the first of this two-part podcast, produced on the occasion of the Gallery exhibition Martin Puryear, Elderfield talks to Fine about working with the artist to develop this landmark show. | iTunes | RSS |
| August 2008 | |
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Richard Misrach, Part 3: On the Beach |
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Richard Misrach, Part 2: Color and Scale Photographer Richard Misrach and Sarah Greenough, senior curator of photographs, National Gallery of Art In the second of this three-part podcast, produced on the occasion of the exhibition Richard Misrach: On the Beach, Misrach discusses the process by which he reached his current photographic style. | iTunes | RSS |
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Richard Misrach, Part 1: Origins and Influences Photographer Richard Misrach and Sarah Greenough, senior curator of photographs, National Gallery of Art Employing an aerial perspective, Richard Misrach instilled his monumental beach series with a sense of disquiet: with references to the horizon and sky eliminated, figures appear isolated and vulnerable. In the first of this three-part podcast, produced on the occasion of the exhibition Richard Misrach: On the Beach, he talks to Sarah Greenough about the influences and origins of his photographic career. | iTunes | RSS |
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Afghan Treasures: Rescuing Tillya Tepe's Gold, Part 4 | iTunes | RSS |
| July 2008 | |
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Afghan Treasures: The Silk Road Revealed at Begram, Part 3 | iTunes | RSS |
| June 2008 | |
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Afghan Treasures: In Search of Lady Moon-Aï Khanum, Part 2 | iTunes | RSS |
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Afghan Treasures: The Bactrian Hoard and Tepe Fullol, Part 1 In the first of this four-part podcast Fredrik Hiebert, exhibition curator and National Geographic Archaeology Fellow, talks to host Barbara Tempchin about the heroism displayed by the Afghan people who kept these treasures hidden for decades. They also discuss one of the oldest archaeological sites, Tepe Fullol. | iTunes | RSS |
| May 2008 | |
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The Vogel Collection Story: Part 3, The Fifty Works for Fifty States Project Ruth Fine, curator of special projects in modern art, National Gallery of Art, and collectors Dorothy and Herbert Vogel Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our time, including Christo and Jeanne-Claude, Sol LeWitt, Richard Tuttle, and Pat Steir. Curator of special projects in modern art, Ruth Fine, spoke with the Vogels shortly after they announced The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States project, which will distribute their vast collection across the country for all to enjoy. In the final part of this three-part podcast, the Vogels discuss the impact they hope their project will have on the arts nationwide. | iTunes | RSS |
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The Vogel Collection Story: Part 2, Working with the National Gallery of Art Ruth Fine, curator of special projects in modern art, National Gallery of Art, and collectors Dorothy and Herbert Vogel Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our time, including Christo and Jeanne-Claude, Sol LeWitt, Richard Tuttle, and Pat Steir. Curator of special projects in modern art, Ruth Fine, spoke with the Vogels shortly after they announced The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States project, which will distribute their vast collection across the country for all to enjoy. In the second part of this three-part podcast, the Vogels discuss their choice of the National Gallery of Art for their collection. | iTunes | RSS |
| April 2008 | |
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The Vogel Collection Story: Part 1, Meeting and Collecting Ruth Fine, curator of special projects in modern art, National Gallery of Art, and collectors Dorothy and Herbert Vogel Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our time, including Christo and Jeanne-Claude, Sol LeWitt, Richard Tuttle, and Pat Steir. Curator of special projects in modern art, Ruth Fine, spoke with the Vogels shortly after they announced The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States project, which will distribute their vast collection across the country for all to enjoy. In part one of this three-part podcast, the Vogels discuss how they met, and how they started collecting art. | iTunes | RSS |
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The Paper Tiger: Calotypes in Great Britain, Part 2 Sarah Greenough, senior curator of photographs, National Gallery of Art, and Roger Taylor, professor of photographic history at De Montfort University, Leicester Two methods of fixing an image dominated the early days of photography: the one-of-a-kind daguerreotype and the replicable calotype, which was made using paper negatives. In the second of this two-part episode, Gallery curator Sarah Greenough and Professor Roger Taylor of De Montfort University discuss some of the best calotypists, the subjects that fascinated them, and the slow death of the medium as it was supplanted by more popular photographic processes. Produced in conjunction with the exhibition Impressed by Light: British Photographs from Paper Negatives, 1840–1860. | iTunes | RSS |
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The Paper Tiger: Calotypes in Great Britain, Part 1 Sarah Greenough, senior curator of photographs, National Gallery of Art, and Roger Taylor, professor of photographic history at De Montfort University, Leicester Two methods of fixing an image dominated the early days of photography: the one-of-a-kind daguerreotype and the replicable calotype, which was made using paper negatives. In the first of this two-part episode, Gallery curator Sarah Greenough, and Professor Roger Taylor of De Montfort University discuss the emergence of the calotype and how it competed with the emergence of glass negatives. Produced in conjunction with the exhibition Impressed by Light: British Photographs from Paper Negatives, 1840–1860. | iTunes | RSS |
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Tools of the Trade Neal Turtell, executive librarian, National Gallery of Art Artists in the 19th and early 20th century had access to more up-to-date information about art technique and technology than any generation before. Tools of the Trade—in the National Gallery of Art library—offers a fascinating look back in time. The display complements In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet, a showcase of 19th-century landscapes created in the famous forest south of Paris. Executive librarian Neal Turtell talks with Backstory host, Barbara Tempchin, about Tools of the Trade. Produced in conjunction with the exhibition In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet. | iTunes | RSS |
| March 2008 | |
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The Italian Legacy in Washington, DC Maygene Daniels, chief of Gallery Archives, National Gallery of Art From its inception, the design of the West Building of the National Gallery of Art was inspired by Italian tradition in art and architecture. The Gallery's collection of Italian paintings is considered to be among the finest in the world, and John Russell Pope's neoclassical design is reminiscent of ancient Rome's Pantheon. In this podcast, host Barbara Tempchin and Gallery chief archivist Maygene Daniels talk about the enduring link between Italian traditions and the National Gallery of Art. Download the Program Flyer (PDF 136k) (Download Acrobat Reader) | iTunes | RSS |
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The Magic of Fontainebleau Kimberly Jones, associate curator of French paintings, National Gallery of Art At one time it was a royal hunting ground for kings and emperors, but in the 19th century, the Forest of Fontainebleau became a magnet for artists and tourists. It was the birthplace of impressionism, and its rugged features and old-growth forests provided artists with endless visually compelling scenes to paint and photograph. In this Backstory episode, curator Kimberly Jones and host Barbara Tempchin discuss the Forest of Fontainebleau and the important place it holds in the history of open-air painting. Produced in conjunction with the exhibition In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet. | iTunes | RSS |
| February 2008 | |
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Robert Rauschenberg, Part 1: Printmaking, Collaboration, and Language Charles Ritchie, associate curator of modern prints and drawings, National Gallery of Art, and Mary Lynn Kotz, Rauschenberg biographer Robert Rauschenberg has consistently created vital art for more than 50 years. In the first episode of this four-part series, Gallery curator Charles Ritchie and Rauschenberg biographer Mary Lynn Kotz discuss why the artist chose printmaking as a favorite medium and why collaboration has been central to his creative process. Produced in conjunction with the exhibition Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections. | iTunes | RSS |
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Robert Rauschenberg, Part 2: The Personal and the Global Charles Ritchie, associate curator of modern prints and drawings, National Gallery of Art, and Mary Lynn Kotz, Rauschenberg biographer Robert Rauschenberg has consistently created vital art for more than 50 years. Everything from newspaper clippings to family images is crucial to his work. In the second episode of this four-part series, Gallery curator Charles Ritchie and Rauschenberg biographer May Lynn Kotz discuss how Rauschenberg's art has always incorporated both personal and global references. Produced in conjunction with the exhibition Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections. | iTunes | RSS |
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Robert Rauschenberg, Part 3: Family Matters Charles Ritchie, associate curator of modern prints and drawings, National Gallery of Art, and Mary Lynn Kotz, Rauschenberg biographer Robert Rauschenberg has consistently created vital art for more than 50 years and family relationships have been influential. In the third episode of this four-part series, Gallery curator Charles Ritchie and Rauschenberg biographer Mary Lynn Kotz discuss the role that the artist's parents played in his becoming an artist, and how his strained relationship with his father affected his art. Produced in conjunction with the exhibition Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections. | iTunes | RSS |
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Robert Rauschenberg, Part 4: Today's Work Charles Ritchie, associate curator of modern prints and drawings, National Gallery of Art, and Mary Lynn Kotz, Rauschenberg biographer Robert Rauschenberg has consistently created vital art for more than 50 years. Now working from a wheelchair after a series of strokes, Rauschenberg continues to produce new art. In the last episode of this four-part series, Gallery curator Charles Ritchie and Rauschenberg biographer Mary Lynn Kotz discuss his current work—the Lotus series—and reveal how his ROCI series got its name. Produced in conjunction with the exhibition Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections. | iTunes | RSS |
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Going Dutch: Exploring Paintings from the Netherlands, Part 2 Arthur K. Wheelock Jr., curator of northern baroque paintings, National Gallery of Art Why do so many people love Dutch paintings? Whether it is the stunning landscapes, the seemingly familiar portraits, or the lush still lifes, these centuries-old paintings still resonate today. In the second part of this Backstory episode, curator Arthur Wheelock and host Barbara Tempchin discuss the National Gallery of Art Dutch paintings collection, how it grew, and the recent acquisition of a Salomon van Ruysdael masterpiece. | iTunes | RSS |
| January 2008 | |
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Bronze and Boxwood: Sculpting the Robert H. Smith Collection |
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Going Dutch: Exploring Paintings from the Netherlands, Part 1 Arthur K. Wheelock Jr., curator of northern baroque paintings, National Gallery of Art Why do so many people love Dutch paintings? Whether it is the stunning landscapes, the seemingly familiar portraits, or the lush still lifes, these centuries-old paintings still resonate today. In the first part of this Backstory episode, curator Arthur Wheelock and host Barbara Tempchin discuss these masterpieces and why they continue to fascinate us. | iTunes | RSS |
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Why Medals Matter: The Story of the Renaissance Medal Eleonora Luciano, associate curator of sculpture, National Gallery of Art Medals, like those given out at the Olympics, are typically associated with feats of athleticism. However, during the Renaissance, medals were used for purposes of propaganda. The National Gallery of Art has released a two-volume, 1,200-page catalogue of its Renaissance medals collection, one of the world's most outstanding. In this podcast, one of the authors, Gallery associate curator Eleonora Luciano, talks to host Barbara Tempchin about these intriguing works of art. | iTunes | RSS |
Notable Lectures | Video Podcasts | Music Programs | The Diamonstein-Spielvogel Lecture Series | The Sydney J. Freedberg Lecture on Italian Art | Elson Lecture Series | A. W. Mellon Lectures in the Fine Arts | Conversations with Artists Series | Conversations with Collectors Series | Wyeth Lectures in American Art Series





























![Image: Talbot, William Henry Fox British, 1800 - 1877 [Wild Fennel], 1841-1842, salted paper print, image: 18.7 x 22.7 cm (7 3/8 x 8 15/16 in.) mat: 35.66 x 43.2 cm (14 1/16 x 17 in.) framed: 43.2 x 50.8 cm (17 x 20 in.), Lent by The Metropolitan Museum of Art, Gilman Collection, Purchase, Mr. and Mrs. Andrew W. Saul Gift, 2005](/podcasts/images/0803arttalk01.jpg)










