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Leo Villareal, artist, lectures on his career and works on Sunday, September 7, at 2:00 p.m., in the East Building Auditorium.
Photo by James Ewing

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Cover of catalogue for National Gallery of Art exhibition, George de Forest Brush: The Indian Paintings. Curator Nancy Anderson lectures on Brush, Sunday, September 14, at 2:00 p.m., in the East Building Auditorium. Book signing to follow.

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Helen Tangires, administrator of the Center for Advanced Study in the Visual Arts, National Gallery of Art, speaks on Pushcarts, Souks, and Cold Storage: Public Markets through the Photographer’s Lens, on Sunday, September 21, at 2:00 p.m., in the East Building Auditorium.
Photo by Elizabeth Kielpinski

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Cover of Public Markets by Helen Tangires, administrator of the Center for Advanced Study in the Visual Arts, National Gallery of Art, who speaks on Sunday, September 21, at 2:00 p.m., in the East Building Auditorium. Book signing to follow.

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Selma Holo, director of Fisher Gallery and International Museum Institute and professor of art history, University of Southern California, moderates a lecture on The Prado Extension: A Conversation with Rafael Moneo and Miguel Zugaza, Moderated by Selma Holo, on Friday, September 26, at 3:00 p.m., in the East Building Auditorium.
Photo courtesy of Selma Holo.

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John Elderfield, chief curator emeritus of painting and sculpture, Museum of Modern Art, lectures on Martin Puryear: “How Things Fit Together”, on Sunday, September 28, at 2:00 p.m., in the East Building Auditorium.
Photo by Timothy Greenfield-Sanders
Courtesy Museum of Modern Art

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Cover of Fixed Ecstasy: Joan Miró in the 1920s by Charles Palermo, associate professor of art history, The College of William and Mary, who speaks on Sunday, October 5, at 2:00 p.m., in the East Building Auditorium. Book signing to follow.

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Rachel Whiteread, artist, lectures on her career on Sunday, October 12, at 2:00 p.m., in the East Building Auditorium.
Photo by Johnnie Shand Kydd

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Carol Mattusch, Mathy Professor of Art History, George Mason University, lectures about Finding Ancient Rome on the Bay of Naples: An Introduction to Pompeii and the Roman Villa, on Sunday, October 19, at 2:00 p.m., in the East Building Auditorium.
Photo by Lynn Nelms.

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The Last Days of Pompeii (1935), an image from the film discussed in Martin Winkler’s lecture on The Last Days of Pompeii: Lecture and Films, on Saturday, October 25, at 2:00 p.m., in the East Building Auditorium.
Photo by RKO Radio Pictures/Photofest

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Arthur K. Wheelock, Jr., curator of northern baroque paintings, National Gallery of Art, participates in a paired lecture and speaks on Jan Lievens: Out of Rembrandt’s Shadow, on Sunday, October 26, at 2:00 p.m., in the East Building Auditorium.
Photo by Lee Ewing, National Gallery of Art

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Jan Lievens’ Bust of a Balding Man (unknown date), one of the images discussed in Stephanie Dickey’s lecture on Jan Lievens in Black and White: Etchings, Woodcuts, and Collaborations in Print, on Sunday, October 26, at 2:00 p.m., in the East Building Auditorium.
National Gallery of Art, Washington
Rosenwald Collection

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Cover of Let’s See: Writings on Art from the New Yorker by Peter Schjeldahl, senior art critic, New Yorker magazine, who speaks on Sunday, November 2, at 2:00 p.m., in the East Building Auditorium. Book signing to follow.

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Paul Zanker, professor of art history, Scuola Normale Superiore, Pisa, discusses To Live with Myths in Pompeii and Beyond, on Sunday, November 9, at 2:00 p.m., in the East Building Auditorium.
Photo courtesy of Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei, Museo Archeologico Nazionale di Napoli

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Ruth Fine, modern art curator, National Gallery of Art, moderates Conversations with Collectors with Dorothy and Herbert Vogel, on Sunday, November 16, at 2:00 p.m., in the East Building Auditorium.
Dorothy and Herbert Vogel, National Gallery of Art, 1992.
Lorene Emerson. National Gallery of Art, Washington, DC, Gallery Archives.

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Cover of The Montefeltro Conspiracy: A Renaissance Mystery Decoded by Marcello Simonetta, writer and historian, who lectures on Sunday, November 30, at 2:00 p.m., in the East Building Auditorium. Book signing to follow.

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Sandro Botticelli’s Giuliano de’ Medici (c. 1478/1480), one of the images discussed in Marcello Simonetta’s lecture on From Botticelli to Buonarroti: Medici Portrains and Anti-Medici Plots, on Sunday, November 30, at 2:00 p.m., in the East Building Auditorium.
National Gallery of Art, Washington
Samuel H. Kress Collection

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An image from Miss Universe of 1929, one of the films discussed in Péter Forgács’ lecture on Film, Memory, and Amnesia, on Sunday, December 7, at 2:00 p.m., in the East Building Auditorium.
Photo courtesy of Péter Forgács

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Conrad Rudolph, professor of medieval art history, University of California at Riverside, lectures about Time, Space, and the Progress of History in the Medieval Map, on Sunday, December 14, at 2:00 p.m., in the East Building Auditorium.
Photo courtesy of UCR Media Resources

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Medieval map, an image discussed in Conrad Rudolph’s lecture on Time, Space, and the Progress of History in the Medieval Map, on Sunday, December 14, at 2:00 p.m., in the East Building Auditorium.
Photo by Clemens/Rudolph

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Harry Cooper, curator and head of modern and contemporary art, National Gallery of Art, lectures on Of The I Sing: Sound in Early Johns, on Monday, September 22, at 12:10 p.m. and 1:10 p.m., in the East Building Small Auditorium.
Photo by Lee Ewing

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François Clouet’s A Lady in Her Bath (c. 1571), one of the images discussed in John Hand’s lecture on Thinking about Clouet, on Monday, October 6, at 12:10 p.m. and 1:10 p.m., in the East Building Small Auditorium.
National Gallery of Art, Washington
Samuel H. Kress Collection

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Epitaph des Jakob von Croy (c. 1518), an image of the memorial of Jacques de Croy, Bishop of Cambrai, Netherlandish, discussed in Douglas Brine’s lecture on Monday, November 3, at 12:10 p.m. and 1:10 p.m., in the East Building Small Auditorium.
Photo © Dombauarchiv Köln, Matz und Schenk

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A close-up view of Epitaph des Jakob von Croy (c. 1518), an image of the memorial of Jacques de Croy, Bishop of Cambrai, Netherlandish, discussed in Douglas Brine’s lecture on Monday, November 3, at 12:10 p.m. and 1:10 p.m., in the East Building Small Auditorium.
Photo © Köln, Domschatzkammer

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Charles Meryon’s Le stryge (The Vampire) (1853), one of the images discussed in Kimberly Schenck’s lecture on Lure of the Exotic: Asian Papers in Nineteenth-Century French Etching, on Monday, November 17, at 12:10 p.m. and 1:10 p.m., in the East Building Small Auditorium.
National Gallery of Art
Rosenwald Collection

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Conrad Rudolph, professor of medieval art history, University of California at Riverside, lectures about Cosmic Politics: Hugh of St. Victor’s “The Mystic Ark” and the Struggle over Elite Education in the Twelfth Century, on Monday, December 15, at 12:10 p.m. and 1:10 p.m., in the East Building Small Auditorium.
Photo courtesy of UCR Resources