File name: manhatta1.jpg
Film still from Manhatta (Charles Sheeler and Paul Strand, 1921, 35 mm, score by Donald Sosin, 11 minutes), to be shown at the National Gallery of Art on Saturday, July 11, at 3:30 p.m. as part of the From Vault to Screen: New Preservation film series.
Frame enlargements from 2008 2K Digital Restoration of Manhatta (1920) Courtesy Lowry Digital Images © 2008 The Museum of Modern Art / Anthology Film Archives
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File name: manhatta2.jpg
Film still from Manhatta (Charles Sheeler and Paul Strand, 1921, 35 mm, score by Donald Sosin, 11 minutes), to be shown at the National Gallery of Art on Saturday, July 11, at 3:30 p.m. as part of the From Vault to Screen: New Preservation film series.
Frame enlargements from 2008 2K Digital Restoration of Manhatta (1920) Courtesy Lowry Digital Images © 2008 The Museum of Modern Art / Anthology Film Archives
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File name: gaucho.jpg
Film still from The Gaucho (F. Richard Jones, 1927, 35 mm, silent with live music, 115 minutes), to be shown at the National Gallery of Art on Sunday, July 26, at 4:30 p.m. as part of the From Vault to Screen: New Preservation film series. Image courtesy Photofest.
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File name: man_movie_camera1.jpg
Film still from Man with a Movie Camera (Dziga Vertov, 1929, 35 mm, silent with live music, 70 minutes), to be shown at the National Gallery of Art on Saturday, August 1, at 3:30 p.m., with Alloy Orchestra on stage. Image courtesy Photofest.
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File name: vampyr1.jpg
Film still from Vampyr (1932, 35 mm, Danish with live soft-titles, 83 minutes), to be shown at the National Gallery of Art on Sunday, August 2, at 4:30 p.m. as part of the Carl Theodor Dreyer: The Late Works film series. Image courtesy Photofest.
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File name: vampyr2.jpg
Film still from Vampyr (1932, 35 mm, Danish with live soft-titles, 83 minutes), to be shown at the National Gallery of Art on Sunday, August 2, at 4:30 p.m. as part of the Carl Theodor Dreyer: The Late Works film series. Image courtesy Photofest.
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File name: day_wrath.jpg
Film still from Day of Wrath (1943, 35 mm, Danish with subtitles, 98 minutes), to be shown at the National Gallery of Art on Sunday, August 9, at 4:30 p.m. as part of the Carl Theodor Dreyer: The Late Works film series. Image courtesy Photofest.
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File name: devil_woman1.jpg
Film still from The Devil Is a Woman (Josef von Sternberg, 1935, 35 mm, 80 minutes), to be shown at the National Gallery of Art on Saturday, August 15, at 1:00 p.m. as part of the From Novel to Screen film series. Image courtesy Photofest.
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File name: devil_woman2.jpg
Film still from The Devil Is a Woman (Josef von Sternberg, 1935, 35 mm, 80 minutes), to be shown at the National Gallery of Art on Saturday, August 15, at 1:00 p.m. as part of the From Novel to Screen film series. Image courtesy Photofest.
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File name: gertrud1.jpg
Film still from Gertrud (1964, 35 mm, Danish with subtitles, 115 minutes), to be shown at the National Gallery of Art on Saturday, August 22, at 3:30 p.m. as part of the Carl Theodor Dreyer: The Late Works film series. Image courtesy Photofest.
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File name: gertrud2.jpg
Film still from Gertrud (1964, 35 mm, Danish with subtitles, 115 minutes), to be shown at the National Gallery of Art on Saturday, August 22, at 3:30 p.m. as part of the Carl Theodor Dreyer: The Late Works film series. Image courtesy Photofest.
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File name: hapax_legomena_nostalgia.jpg
Film still from Hollis Frampton’s Hapax Legomena, part 1, (nostalgia), to be shown along with parts 2 and 3, Poetic Justice, and Critical Mass (1972, total running time 95 minutes) at the National Gallery of Art on Sunday, August 23, at 4:30 p.m. Image courtesy Frampton Estate.
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File name: pandora1.jpg
Film still from Pandora and the Flying Dutchman (Albert Lewin, 1951, 35 mm, 122 minutes), at the National Gallery of Art on Friday, August 28, at 2:30 p.m. and Saturday, August 29, at 2:30 p.m. as part of the From Vault to Screen: New Preservation film series. Image courtesy Photofest.
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File name: pandora2.jpg
Film still from Pandora and the Flying Dutchman (Albert Lewin, 1951, 35 mm, 122 minutes), at the National Gallery of Art on Friday, August 28, at 2:30 p.m. and Saturday, August 29, at 2:30 p.m. as part of the From Vault to Screen: New Preservation film series. Image courtesy Photofest.
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File name: hiroshima1.jpg
Film still from Hiroshima mon amour (1959, 35 mm, French and Japanese with subtitles, 91 minutes), to be shown at the National Gallery of Art on Saturday, September 5, at 2:00 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: hiroshima2.jpg
Film still from Hiroshima mon amour (1959, 35 mm, French and Japanese with subtitles, 91 minutes), to be shown at the National Gallery of Art on Saturday, September 5, at 2:00 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: hiroshima3.jpg
Film still from Hiroshima mon amour (1959, 35 mm, French and Japanese with subtitles, 91 minutes), to be shown at the National Gallery of Art on Saturday, September 5, at 2:00 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: marienbad1.jpg
Film still from Last Year at Marienbad (1961, 35 mm, French with subtitles, 94 minutes), to be shown at the National Gallery of Art on Saturday, September 5, at 4:00 p.m. and Sunday, September 6, at 2:00 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: marienbad1.jpg
Film still from Last Year at Marienbad (1961, 35 mm, French with subtitles, 94 minutes), to be shown at the National Gallery of Art on Saturday, September 5, at 4:00 p.m. and Sunday, September 6, at 2:00 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: leon_morin_priest.jpg
Film still from Léon Morin, Priest (Jean-Pierre Melville, 1961, 35 mm, French with subtitles, 114 minutes), to be shown at the National Gallery of Art on Sunday, September 6, at 4:30 p.m. Image courtesy Photofest.
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File name: muriel.jpg
Film still from Muriel, ou le temps d’un retour (1963, 35 mm, French with subtitles, 115 minutes), to be shown at the National Gallery of Art on Saturday, September 12, at 3:30 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: stavinsky1.jpg
Film still from Stavisky (1974, 35 mm, French and Italian with subtitles, 117 minutes), to be shown at the National Gallery of Art on Sunday, September 13, at 4:30 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: stavinsky2.jpg
Film still from Stavisky (1974, 35 mm, French and Italian with subtitles, 117 minutes), to be shown at the National Gallery of Art on Sunday, September 13, at 4:30 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: melo1.jpg
Film still from Mélo (1986, 35 mm, French with subtitles, 112 minutes), to be shown at the National Gallery of Art on Friday, September 18, at 2:30 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: melo2.jpg
Film still from Mélo (1986, 35 mm, French with subtitles, 112 minutes), to be shown at the National Gallery of Art on Friday, September 18, at 2:30 p.m. as part of the Alain Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: same_song.jpg
Film still from Same Old Song (On connaît la chanson) (1997, 35 mm, French with subtitles, 120 minutes), to be shown at the National Gallery of Art on Saturday, September 19, at 3:30 p.m. as part of the Resnais: The Eloquence of Memory film series. Image courtesy Photofest.
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File name: reunion_babies.jpg
Film still from A Reunion of All My Babies (David Bagnall and George C. Stoney, work-in-progress, digital beta, 12 minutes), to be shown at the National Gallery of Art on Saturday, September 26, at 2:30 p.m., as part of the film program George C. Stoney: American Documentarian. Image courtesy Photofest.
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