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Tullio Lombardo’s Bacchus and Ariadne (c. 1505), one of the works in the exhibition An Antiquity of Imagination: Tullio Lombardo and Venetian High Renaissance Sculpture. Alison Luchs discusses the exhibition in her lecture entitled Modern Sculpture in Renaissance Venice: Tullio Lombardo and the Romance of Antiquity on Sunday, September 13, at 2:00 p.m. at the National Gallery of Art.
Image courtesy Kunsthistorisches Museum Vienna, Kunstkammer

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Nancy Yeide will sign copies of Beyond the Dreams of Avarice: The Hermann Goering Collection following her lecture, Reconstructing a Nazi Art Collection, to take place at 2:00 p.m. on Sunday, September 20, at the National Gallery of Art.

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Miguel Falomir discusses Images for an Empire: Charles V and the Visual Arts at 2:00 p.m. on Sunday, September 27, at the National Gallery of Art. Shown here, from the exhibition The Art of Power: Royal Armor and Portraits from Imperial Spain: Desiderius Helmschmid, Equestrian Armor of Emperor Charles V, Augsburg, c. 1535-1540 (lance, 16th-19th century)
Patrimonio Nacional, Real Armería, Madrid, A.115, A.116
©Patrimonio Nacional, Madrid, Real Armería

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Miguel Falomir discusses Images for an Empire: Charles V and the Visual Arts at 2:00 p.m. on Sunday, September 27, at the National Gallery of Art. Shown here, from the exhibition The Art of Power: Royal Armor and Portraits from Imperial Spain: Anonymous Netherlandish, Charles V with Raised Sword, second half of the 16th century, Patrimonio Nacional, Real Monasterio de San Lorenzo de El Escorial
©Patrimonio Nacional, Madrid, Real Monasterio de San Lorenzo de El Escorial

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In honor of the exhibition The Darker Side of Light: Arts of Privacy, 1850–1900, Peter Parshall presents a lecture entitled The Darker Side of Light: Prints and Privacy in the Nineteenth Century at 2:00 p.m. on Sunday, October 4, at the National Gallery of Art. Shown here, from the exhibition: Max Klinger, Abduction (Entführung), 1878/1880, etching and aquatint in black on chine collé, National Gallery of Art, Anonymous Gift

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Ruth Fine discusses Mark Rothko: You Have to Start Somewhere on Monday, October 5, at 12:10 and 1:10 p.m. at the National Gallery of Art, as part of the Works in Progress lecture series. Shown here: Mark Rothko, Landscape, late 1920s/early 1930s, Gift of The Mark Rothko Foundation, Inc. Copyright © 1997 Christopher Rothko and Kate Rothko Prizel

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Ruth Fine discusses Mark Rothko: You Have to Start Somewhere on Monday, October 5, at 12:10 and 1:10 p.m. at the National Gallery of Art, as part of the Works in Progress lecture series. Shown here: Mark Rothko, Untitled, 1945/1946, Gift of The Mark Rothko Foundation, Inc. Copyright © 1997 Christopher Rothko and Kate Rothko Prizel

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On Sunday, October 11, Ruth Fine presents Introduction to the Exhibition—Editions with Additions: Working Proofs by Jasper Johns, at 2:00 p.m. at the National Gallery of Art. Shown here, from the exhibition: Jasper Johns, Hinged Canvas [working proof], 1971, National Gallery of Art, Washington, Patrons' Permanent Fund

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The television series Civilisation is explored through Jonathan Conlin’s panel discussion, Celebrating Civilisation, on Saturday, October 17, at 1:00 p.m. and lecture, Back to Civilisation: Kenneth Clark's Television Landmark at 40, at 2:00 p.m. on Sunday, October 18, at the National Gallery of Art

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In conjunction with the exhibition Judith Leyster, 1609–1660, Frima Fox Hofrichterand and Arthur K. Wheelock Jr. discuss Judith Leyster: “A Leading Star” in Dutch Art on Sunday, October 25, at 2:00 p.m. at the National Gallery of Art. Leyster’s Self Portrait (c. 1632-1633), is the centerpiece of the exhibition.
National Gallery of Art, Gift of Mr. and Mrs. Robert Woods Bliss

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Film still from Manhatta (Charles Sheeler and Paul Strand, 1921, 35 mm, score by Donald Sosin, 11 minutes), the subject of Charles M. Brock’s lecture, The Restoration of Manhatta, on Sunday, October 26, at 2:00 p.m. at the National Gallery of Art.

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Film still from Manhatta (Charles Sheeler and Paul Strand, 1921, 35 mm, score by Donald Sosin, 11 minutes), the subject of Charles M. Brock’s lecture, The Restoration of Manhatta, on Monday, October 26, at 12:10 and 1:10 p.m. at the National Gallery of Art.

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John Brewer will sign copies of his book The American Leonardo: A Tale of Obsession, Art and Money following his lecture, The American Leonardo: Experts, Dealers, and the Art Market in the Twentieth Century, Sunday, November 15, at 2:00 p.m. at the National Gallery of Art.

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Artist Brice Marden appears in conversation with Harry Cooper at the National Gallery of Art on Sunday, November 22, at 2:00 p.m. for Brice Marden on Art, part of the Diamonstein-Spielvogel Lecture Series. This lecture is also held in conjunction with the exhibition, The Robert and Jane Meyerhoff Collection: Selected Works, which features many of Marden’s works, including Picasso's Skull, 1989-1990.
Collection of Robert and Jane Meyerhoff

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Artist Brice Marden appears in conversation with Harry Cooper at the National Gallery of Art on Sunday, November 22, at 2:00 p.m. for Brice Marden on Art, part of the Diamonstein-Spielvogel Lecture Series. This lecture is also held in conjunction with the exhibition, The Robert and Jane Meyerhoff Collection: Selected Works.

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François-André Vincent’s The Drawing Lesson (1777) is among the works discussed by Margaret Morgan Grasselli in her lecture Playing Favorites: A Personal Selection of French Drawings from the National Gallery of Art, presented Sunday, December 13, at 2:00 p.m. This lecture is presented in honor of the exhibition Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500–1800.
National Gallery of Art, Washington, Anonymous Partial and Promised Gift