Release Date: October 25, 2002
Washington, DC -- The most comprehensive exhibition ever devoted to the work of Édouard Vuillard, the quintessential Parisian artist whose work spans the fin-de-siècle through the 1930s, will have its world premiere in Washington at the National Gallery of Art, West Building, January 19, 2003 through April 20, 2003. It includes works that have never been on public display and many that have not been seen for decades. Édouard Vuillard will travel to Montreal, Paris, and London. The last Vuillard exhibition on this scale was a 1938 retrospective at the Musée des Arts Décoratifs in Paris.
The exhibition is organized by the National Gallery of Art, Washington; The Montreal Museum of Fine Arts, where it will be on view May 15 - August 24, 2003; the Réunion des musées nationaux/Musée dOrsay, Paris, where it will be presented at the Galeries nationales du Grand Palais September 23, 2003 -January 4, 2004; and the Royal Academy of Arts, London, where it will be seen January 31 - April 18, 2004.
Approximately 230 works will demonstrate the full range of Vuillards (1868-1940) prolific career and his embrace of unconventional media. In addition to his luminous paintings, the exhibition includes innovative folding screens, theatre programs, prints, drawings, photographs, and ceramics. A highlight of the exhibition is the reunion of The Public Gardens (1894), a series of decorative panels not seen together publicly since 1906 and dispersed at auction in 1929.
"This once-in-a lifetime exhibition demonstrating the breadth of Vuillards talents is the result of an unusual and sustained collaboration between four institutions, the generosity of Airbus, the indemnity from the Federal Council on the Arts and the Humanities, and many wonderful lenders from around the world," said Earl A. Powell III, director of the National Gallery of Art.
Exhibition Support
The exhibition is made possible by generous support from Airbus.
"The people of Airbus are honored to present another remarkable exhibition at the Gallery, and there is much for us all to admire in these works of Édouard Vuillard," said Noël Forgeard, Airbus president and chief executive officer. "Fittingly, the timing of this exhibition will coincide with the centennial year of the birth of our industry. At the same time Vuillard was helping usher in the artistic revolution of the 1900s, the Wright brothers launched a century of progress in aviation. As a leader today in commercial aircraft manufacture, Airbus is committed to supporting the arts and to promoting the same spirit of innovation and creativity embodied a century ago by Vuillard and the Wrights."
The exhibition is also supported by an indemnity from the Federal Council on the Arts and the Humanities.
The Artist
Vuillards work straddles two centuries: he was a major post-impressionist
in the 1890s, as well as a participant in the renewal of decorative art
before and after 1900. Vuillard was one of the central figures of "Les
Nabis" ("Nabi" means "prophet" in Arabic and Hebrew), a group of Parisian
avant-garde artists whose members included Pierre Bonnard and Félix
Vallotton, among others. During the Nabi period Vuillard produced some
of his best-known workprovocative paintings of middle-class interiors
and contributions to avant-garde theater.
Vuillard also worked steadily through his post-Nabi years, from 1900 until his death in 1940. He experimented increasingly with abstraction and powerful color in a manner that bears comparison with Henri Matisse and the Fauves. In the latter decades of his life he expanded his range in natural light, landscape, and portraiture.
The Exhibition
The exhibition will be organized chronologically. Among the works
in the exhibition are: the bold Octagonal Self-Portrait (1890)
and the colorful abstract Lilacs (c.1890); the sumptuously-detailed
Interior (Marie Leaning Over her Work) (c.1892-93), The Striped
Blouse (1895), and Misia and Valloton at Villeneuve (1899),
all emphasizing textile-like surroundings as well as their subjects; Vuillards
dramatic group portrait, The Surgeons (1912-14; reworked 1925 and
1937); and his tribute to the classic beauty of Versailles during a time
of war, The Chapel at the Château de Versailles (1917, 1919;
reworked 1926-1928).
The exhibition will feature The Public Gardens (1894), a series of large panels considered the grandest and most complex of Vuillards decorative projects. Created for a private salon, The Public Gardens has appeared publicly in its entirety only once, at a Paris exhibition in 1906; the panels were dispersed at auction in 1929. Eight of the nine panels are being brought back together as part of this exhibition.
The exhibition will also break new ground with a selection of photographs by Vuillard, who enthusiastically embraced the new technology of photography in 1897. A gallery of Vuillards photographs of family and friends will offer a rare glimpse into his intimate circle and illuminate the ways photography informed his painting. The majority of photos in the exhibition have never been seen publicly or published.
Exhibition Curators, Catalogue, Programs and Resources
Guy Cogeval, director, The Montreal Museum of Fine Arts, is the chief
curator of the exhibition, with co-curators: Kimberly Jones, assistant
curator, department of French paintings, National Gallery of Art; Laurence
des Cars, curator, Musée dOrsay, Paris; and MaryAnne Stevens,
collections secretary and senior curator, Royal Academy of Arts, London.
Édouard Vuillard, the exhibition catalogue, will be copublished by The Montreal Museum of Fine Arts and the National Gallery of Art, Washington. Authored by Guy Cogeval with Kimberly Jones, Laurence des Cars and MaryAnne Stevens, and with contributions by Dario Gamboni, Elizabeth Easton and Mathias Chivot, the catalogue contains five essays on aspects of the artists work, from his fascination with photography to the impact of country sojourns on his painting (520 pages, 463 color, 95 b/w).
Cogeval is also the author of the catalogue raisonné, Vuillard: Critical Catalogue of Paintings and Pastels, scheduled for publication in 2003.
A film, Édouard Vuillard, is being produced by the National Gallery of Art and is made possible by the HRH Foundation. The film explores Vuillards career, including his early designs for the theater, evocative interior scenes, and passion for photography.
An exhibition brochure will be available free of charge to all visitors. An audio tour will be available for $6, $5 for students with ID, groups of ten or more, and senior citizens. Information regarding tours, lectures, special programs for the public and students, and educational materials related to Vuillard will be posted on the Gallerys Web site, www.nga.gov.
General Information
The National Gallery of Art and its Sculpture Garden are at all times
free to the public. They are located on the National Mall between 3rd
and 9th Streets at Constitution Avenue NW, and are open Monday through
Saturday from 10:00 a.m. to 5:00 p.m. and Sunday from 11:00 a.m. to 6:00
p.m. The Gallery is closed on December 25 and January 1. For information
call (202) 737-4215 or the Telecommunications Device for the Deaf (TDD)
at (202) 842-6176, or visit the Gallery's Web site at www.nga.gov.
Visitors will be asked to present all carried items for inspection upon
entering the East and West Buildings. Checkrooms are free of charge and
located at each entrance. Luggage and other oversized bags must be presented
at the 4th Street entrances to the East or West Building to permit x-ray
screening and must be deposited in the checkrooms at those entrances.
For the safety of visitors and the works of art, nothing may be carried
into the Gallery on a visitor's back. Any bag or other items that cannot
be carried reasonably and safely in some other manner must be left in
the checkrooms. Items larger than 17 x 26 inches cannot be accepted by
the Gallery or its checkrooms.
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