Art historian John Rewald (1912–1994) is renowned for his pathbreaking, scholarly study of Paul Cézanne (1839–1906). As a young graduate student in France, Rewald took what he later described as a “chance trip” to Provence, where he became captivated by Cézanne’s life and work. He then focused his doctoral studies on the artist, and, with Léo Marschutz, a German painter living in Provence, he began to photograph the places associated with the painter’s work. Since then many of these sites have changed beyond recognition. Rewald also undertook a lifelong effort to collect archival sources on the artist and to create a comprehensive reference library.
In 1979, Rewald began donating photographs of mostly French paintings to what is today the department of image collections in the National Gallery of Art Library. In 1981, he donated almost 1500 photographs of Cézanne watercolors. In 1986, recognizing the importance of Rewald’s research materials on Cézanne and other artists, the library purchased Rewald’s collection of almost 15,000 items, including monographs, periodicals, and catalogues, many extensively annotated, as well as the bulk of his photographic archive, including his collection of Cézanne site images. The library also acquired Rewald’s art history research files and the working files for his Cézanne catalogues raisonné; the latter are now housed in the Gallery archives. Together, these materials constitute an extraordinary resource and have made the National Gallery of Art a center for the study of the Cézanne’s life and work.
John Rewald also enhanced the art collection of the National Gallery of Art through advice he gave John Hay Whitney, a trustee of, and major donor to, the Gallery, and the Gallery’s preeminent donor, Paul Mellon. In 1946, Mrs. John Hay Whitney attended Rewald’s lecture to the wives of Museum of Modern Art trustees. Impressed, she suggested to her husband that he hire the art historian as an advisor on his collection. In 1966, Whitney’s friend Paul Mellon also engaged Rewald for advice on his own collecting of impressionist and post-impressionist works. For decades, the art historian continued to be an influential advisor to both donors.
Rewald’s scholarship was showcased at the National Gallery of Art in 1966, when he wrote the catalogue for the museum’s twenty-fifth anniversary exhibition of French paintings from the collections of Paul Mellon and Ailsa Mellon Bruce. In 1979, he presented the Andrew W. Mellon Lectures in the Fine Arts. These were subsequently published in 1989 as Cézanne and America. Also in 1979, Rewald wrote the introduction to the Gallery’s exhibition catalogue, Cézanne: The Early Years, 1859–1872. His catalogues raisonné of Cézanne’s watercolors and oil paintings were published, respectively, in 1983 and 1996.
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