National Gallery of Art, Press Office
SIX CENTURIES OF PRINTS AND DRAWINGS: RECENT ACQUISITIONS
NOVEMBER 14, 2004-June 5, 2005

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Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, if noted.

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223-008.jpg
Anonymous South German 15th Century
Christ Kneeling in Prayer, c. 1425
pen and ink with wash and white heightening on partially prepared paper, sheet: 22.2 x 15.2 cm (8 3/4 x 6); mount: 30.5 x 20.5 cm (12 x 8 1/16)
Anonymous Gift, 2003
National Gallery of Art, Washington, DC

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223-013.jpg
Lucas van Leyden
David Playing the Harp before Saul, c. 1508
engraving, sheet, cut to platemark: 25.4 x 18.2 cm (10 x 7 3/16)
Anonymous Gift, 2004
National Gallery of Art, Washington, DC

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223-014.jpg
Albrecht Dürer
The Betrothal of the Virgin (printed 1560s/1570s), c.1504-1505
woodcut on blue paper, sheet: 29.9 x 21.1 cm (11 3/4 x 8 5/16)
Ailsa Mellon Bruce Fund, 2003
National Gallery of Art, Washington, DC

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223-015.jpg
Attributed to Zacharias Dolendo
A Couple Addressed by a Lute Player (after Jacques de Gheyn II), 1595/1596
engraving, plate: 23.9 x 17.1 cm (9 7/16 x 6 3/4); sheet: 39.7 x 27.2 cm (15 5/8 x 10 11/16)
New Century Fund, 2004
National Gallery of Art, Washington, DC

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223-021.jpg
Albrecht Altdorfer
Christ Nailed to the Cross, c. 1512
pen and ink, with wash and white heightening on prepared paper, 19.5 x 13.8 cm (7 11/16 x 5 7/16)
Patrons' Permanent Fund, 2000
National Gallery of Art, Washington, DC

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223-022.jpg
Anonymous German 15th Century
Sanctus Bernhardus, 1450s
engraving, plate: 20.2 x 14.8 cm (7 15/16 x 5 13/16); sheet: 28.2 x 20.2 cm (11 1/8 x 7 15/16)
Pepita Milmore Memorial Fund, 2002
National Gallery of Art, Washington, DC

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223-023.jpg
Pietro Perugino
The Adoration of the Shepherds, c. 1505
pen and ink over chalk, 13.3 x 21.6 cm (5 1/4 x 8 1/2)
Anonymous Gift, 2003
National Gallery of Art, Washington, DC

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223-029.jpg
Jan Wandelaar
Musculorum Tabula IV, 1747
engraving, plate: 56.2 x 40.2 cm (22 1/8 x 15 13/16); sheet: 63.7 x 44.5 cm (25 1/16 x 17 1/2)
Ailsa Mellon Bruce Fund, 2004
National Gallery of Art, Washington, DC

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223-035.jpg
Giovanni Battista Piranesi
Title Plate, c. 1758
etching and engraving with ink dabbing, plate: 44 x 41.4 cm (17 5/16 x 16 5/16); sheet: 74 x 52.2 cm (29 1/8 x 20 9/16)
Patrons' Permanent Fund, 2003
National Gallery of Art, Washington, DC

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223-039.jpg
Jusepe de Ribera
The Drunken Silenus, 1628
etching, sheet, cut within platemark: 27.2 x 35.3 cm (10 11/16 x 13 7/8)
Patrons' Permanent Fund, 2004
National Gallery of Art, Washington, DC

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223-040.jpg
Workshop of Johann Teyler
Snake and Butterfly, 1680s/1690s
color etching with engraving, plate: 17.2 x 45.8 cm (6 3/4 x 18 1/16); sheet: 17.3 x 45.8 cm (6 13/16 x 18 1/16)
Anonymous gift, 2000
National Gallery of Art, Washington, DC

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223-047.jpg
Rembrandt van Rijn
The Great Jewish Bride, 1635
etching, sheet: 22 x 17 cm (8 11/16 x 6 11/16)
Gaillard F. Ravenel and Frances P. Smyth-Ravenel Fund, 2001
National Gallery of Art, Washington, DC

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223-048.jpg
Giuseppe Benucci
Presentation Drawing for the Ceiling Fresco of the Ognissanti, c. 1769
pen and ink with wash and watercolor over traces of chalk on four joined pieces of paper, 43.2 x 145.2 cm (17 x 57 3/16)
Director's Discretionary Fund, 2000
National Gallery of Art, Washington, DC

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223-052.jpg
Giacomo Quarenghi
The Piazza of Saint Peter's Seen through an Arch of the Basilica, 1770s
watercolor, graphite, pen and ink, 59.6 x 52.2 cm (23 7/16 x 20 9/16)
William B. O'Neal Fund, 2002
National Gallery of Art, Washington, DC

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223-053.jpg
Paul Sandby
Dawn in Luton Park, 1763/1765
watercolor and gouache with pen and ink over graphite on two joined sheets of paper, 32.9 x 76.2 cm (12 15/16 x 30)
Paul Mellon Fund, 2001
National Gallery of Art, Washington, DC

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223-054.jpg
Louis Ducros
The Waterfalls at Tivoli, c. 1790
watercolor with gouache over graphite, heightened with gum arabic, 65.7 x 104 cm (25 7/8 x 40 15/16)
Rudolf and Lore Heinemann Fund, 2002
National Gallery of Art, Washington, DC

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223-055.jpg
Eugène Isabey
Fishing Boats Tossed Before a Storm,
watercolor and gouache over chalk, 93.3 x 63.9 cm (36 3/4 x 25 3/16)
Gift of Helen Porter and James T. Dyke, 2001
National Gallery of Art, Washington, DC

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223-057.jpg
John Dixon
A Tigress (after George Stubbs), 1772
mezzotint, plate: 48.1 x 58.4 cm (18 15/16 x 23); sheet: 53.5 x 60.3 cm (21 1/16 x 23 3/4)
Paul Mellon Fund, 2001
National Gallery of Art, Washington, DC

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223-066.jpg
Rudolf von Alt
The Piazza San Marco, 1874
watercolor,
Gift of Joan and David Maxwell, 2003
National Gallery of Art, Washington, DC

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223-069.jpg
Adolph Menzel
The Interior of the Jacobskirche at Innsbruck, 1872
gouache, 40 x 26.2 cm (15 3/4 x 10 5/16)
Pepita Milmore Memorial Fund and gift of The Ahmanson Foundation, 2000
National Gallery of Art, Washington, DC

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223-082.jpg
Théodore Rousseau
Sunset from the Forest of Fontainebleau, 1848
oil over graphite, 32.2 x 45.9 cm (12 11/16 x 18 1/16)
Gift of Helen Porter and James T. Dyke, 2003
National Gallery of Art, Washington, DC

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223-085.jpg
Pablo Picasso
The Frugal Repast, 1904
etching, 46.3 x 37.7 cm (18 1/4 x 14 7/8); 74.9 x 65.4 x 5.1 cm (29 1/2 x 25 3/4 x 2)
Gift of Robert H. and Clarice Smith, in Honor of the 50th Anniversary of the National Gallery of Art, 2003
National Gallery of Art, Washington, DC

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223-088.jpg
Georgia O'Keeffe
Blue Hill No.1, 1916
watercolor, 22.9 x 30.5 cm (9 x 12)
Gift of Joan and Lucio Noto and The Georgia O'Keeffe Foundation, 2002
National Gallery of Art, Washington, DC

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223-109.jpg
Andrea Mantegna or School
Battle of Naked Men (after Antonio Pollaiuolo), 1460s
engraving, 36.6 x 54.8 cm (14 7/16 x 21 9/16)
Patrons' Permanent Fund, 2004
National Gallery of Art, Washington, DC

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223-126.jpg
Henri de Toulouse-Lautrec
A Monkey Playing on His Back, 1880
graphite, 15.8 x 25.7 cm (6 1/4 x 10 1/8)
Gift of Evelyn Stefansson Nef, 2001
National Gallery of Art, Washington, DC

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223-127.jpg
Glenn Ligon
Untitled, 1992
softground etching, aquatint, spitbite, and sugarlift aquatint, sheet: 63.8 x 44.1 cm (25 1/8 x 17 3/8); plate: 59.7 x 40 cm (23 1/2 x 15 3/4)
National Gallery of Art, Washington, Gift of Werner H. and Sarah-Ann Kramarsky and Collector's Committee Fund, 2004.65.1.2
National Gallery of Art, Washington, DC

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223-130.jpg
Max Klinger
Philosoph, in Vom Tode, II. Theil [On Death, Part II] (Amsler & Ruthardt, Berlin, 1898),
complete set of twelve etchings with aquatint, image: 49.6 x 33.8 cm (19 1/2 x 13 5/16); sheet: 62.2 x 46.5 cm (24 1/2 x 18 5/16)
Gift of the Epstein Family Collection, 2001
National Gallery of Art, Washington, DC

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