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Spanish
Pietà, c. 1680-1700

polychromed plaster, macerated linen fibers, gesso- or glue-soaked fabric, wood, papier-mâché, glass and other materials
115 x 113 x 84 cm (45 1/4 x 44 1/2 x 33 1/16 in.)
Los Angeles County Museum of Art, purchased with funds provided by Eugene V. Klein and Mary Jones-Gaston in memory of her parents, Mr. and Mrs. Charles Stone Jones, by exchange

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After Pedro de Mena
Mary Magdalene meditating on the Crucifixion, late 1660s

polychromed wood
height: 64 3/16 in. (163 cm)
Church of San Miguel, Valladolid
© Copyright Photo Andrés Alvarez Vicente and Julio César García Rodríguez

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Diego Velázquez
Juan Martínez Montañés, 1635

oil on canvas
unframed: 109 x 83.5 cm (42 15/16 x 32 7/8 in.)
Museo Nacional del Prado, Madrid
© Copyright Museo Nacional del Prado, Madrid

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Juan de Mesa
Christ on the Cross, about 1618-1620

polychromed wood
100 x 65 x 22 cm (39 3/8 x 25 9/16 x 8 11/16 in.)
Archicofradía del Santísimo Cristo del Amor, Collegiate Church of El Salvador, Seville

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Francisco de Zurbarán
Saint Luke Contemplating the Crucifixion, 1630s

oil on canvas
unframed: 105 x 89 cm (41 5/16 x 35 1/16 in.)
Museo Nacional del Prado, Madrid
© Copyright Museo Nacional del Prado, Madrid

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Diego Velázquez
The Immaculate Conception, 1618-1619

oil on canvas
135 x 101.6 cm (53 1/8 x 40 in.) framed: 159 x 126 x 8 cm (62 5/8 x 49 5/8 x 3 1/8 in.)
The National Gallery, London, Bought with the aid of The Art Fund, 1974
© Copyright The National Gallery, London

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Attributed to Juan Martínez Montañés and unknown painter
The Virgin of the Immaculate Conception, about 1628

painted and gilded wood
overall: 144 x 49 x 53 cm (56 11/16 x 19 5/16 x 20 7/8 in.) base: 37.5 x 97.5 x 58.5 cm (14 3/4 x 38 3/8 x 23 1/16 in.)
Church of the Anunciación, Seville University
© Copyright Photo Imagen M.A.S. Reproduction courtesy of Universidad de Sevilla

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Attributed to Juan Martínez Montañés and unknown painter
The Virgin of the Immaculate Conception, about 1628

painted and gilded wood
overall: 144 x 49 x 53 cm (56 11/16 x 19 5/16 x 20 7/8 in.) base: 37.5 x 97.5 x 58.5 cm (14 3/4 x 38 3/8 x 23 1/16 in.)
Church of the Anunciación, Seville University
© Copyright Photo Imagen M.A.S. Reproduction courtesy of Universidad de Sevilla

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Attributed to Juan Martínez Montañés and unknown painter
The Virgin of the Immaculate Conception, about 1628

painted and gilded wood
overall: 144 x 49 x 53 cm (56 11/16 x 19 5/16 x 20 7/8 in.) base: 37.5 x 97.5 x 58.5 cm (14 3/4 x 38 3/8 x 23 1/16 in.)
Church of the Anunciación, Seville University
© Copyright Photo Imagen M.A.S. Reproduction courtesy of Universidad de Sevilla

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Alonso Cano
Saint Francis Borgia, 1624

oil on canvas
painting: 186 x 120 cm (73 1/4 x 47 1/4 in.)
Museo de Bellas Artes, Seville
© Copyright Museo de Bellas Artes, Seville

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Juan Martínez Montañés and Francisco Pacheco
Saint Francis Borgia, about 1624

painted wood and cloth stiffened with glue size
174 x 68 x 51 cm (68 1/2 x 26 3/4 x 20 1/16 in.)
Church of the Anunciación, Seville University
© Copyright Photo Imagen M.A.S. Reproduction courtesy of Universidad de Sevilla

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Juan Martínez Montañés and Francisco Pacheco
Saint Francis Borgia, about 1624

painted wood and cloth stiffened with glue size
174 x 68 x 51 cm (68 1/2 x 26 3/4 x 20 1/16 in.)
Church of the Anunciación, Seville University
© Copyright Photo Imagen M.A.S. Reproduction courtesy of Universidad de Sevilla

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Juan Martínez Montañés and Francisco Pacheco
Saint Francis Borgia, about 1624

painted wood and cloth stiffened with glue size
174 x 68 x 51 cm (68 1/2 x 26 3/4 x 20 1/16 in.)
Church of the Anunciación, Seville University
© Copyright Photo Imagen M.A.S. Reproduction courtesy of Universidad de Sevilla

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Juan Martínez Montañés and Francisco Pacheco
Saint Ignatius Loyola, 1610

painted wood and cloth stiffened with glue size
173.5 x 70 x 55 cm (68 5/16 x 27 9/16 x 21 5/8 in.)
Church of the Anunciación, Seville University
© Copyright Photo Imagen M.A.S. Reproduction courtesy of Universidad de Sevilla

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Juan Martínez Montañés and Francisco Pacheco
Saint Ignatius Loyola, 1610

painted wood and cloth stiffened with glue size
173.5 x 70 x 55 cm (68 5/16 x 27 9/16 x 21 5/8 in.)
Church of the Anunciación, Seville University
© Copyright Photo Imagen M.A.S. Reproduction courtesy of Universidad de Sevilla

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Juan Martínez Montañés and Francisco Pacheco
Saint Ignatius Loyola, 1610

painted wood and cloth stiffened with glue size
173.5 x 70 x 55 cm (68 5/16 x 27 9/16 x 21 5/8 in.)
Church of the Anunciación, Seville University
© Copyright Photo Imagen M.A.S. Reproduction courtesy of Universidad de Sevilla

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Francisco Antonio Gijón and unknown painter (possibly Domingo Mejías)
Saint John of the Cross, about 1675

painted and gilded wood
height: 168 cm (66 1/8 in.)
National Gallery of Art, Washington, Patrons' Permanent Fund, 2003.124.1

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Gregorio Fernández and unknown polychromer
Ecce Homo, before 1621

polychromed wood, glass, and cloth
182 x 55 x 38 cm (71 5/8 x 21 5/8 x 14 15/16 in.)
Museo Diocesano y Catedralicio, Valladolid
© Copyright Fototeca de Obras Restauradas. Instituto del Patrimonio Cultural de España / Ministerio de Cultura.

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Diego Velázquez
Christ after the Flagellation, contemplated by the Christian Soul, probably 1628-1629

oil on canvas
overall: 165.1 x 206.4 cm (65 x 81 1/4 in.) framed: 208.4 x 247.5 x 12 cm (82 1/16 x 97 7/16 x 4 3/4 in.)
The National Gallery, London, Presented by John Savile Lumley (later Baron Savile), 1883
© Copyright The National Gallery, London

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Pedro de Mena
Christ as the Man of Sorrows (Ecce Homo), 1673

polychromed wood, human hair, ivory, and glass
98 x 50 x 41 cm (38 9/16 x 19 11/16 x 16 1/8 in.)
Real Monasterio de las Descalzas Reales, Patrimonio Nacional, Madrid
© Copyright 2009 Photo Gonzalo de la Serna

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Pedro de Mena
Christ as the Man of Sorrows (Ecce Homo), 1673

polychromed wood, human hair, ivory, and glass
98 x 50 x 41 cm (38 9/16 x 19 11/16 x 16 1/8 in.)
Real Monasterio de las Descalzas Reales, Patrimonio Nacional, Madrid
© Copyright 2009 Photo Gonzalo de la Serna

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Pedro de Mena
Christ as the Man of Sorrows (Ecce Homo), 1673

polychromed wood, human hair, ivory, and glass
98 x 50 x 41 cm (38 9/16 x 19 11/16 x 16 1/8 in.)
Real Monasterio de las Descalzas Reales, Patrimonio Nacional, Madrid
© Copyright 2009 Photo Gonzalo de la Serna

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Juan Martínez Montañes and unknown polychromer
Christ on the Cross ("Cristo de los Desamparados"), 1617

polychromed wood
overall, including cross: 350 x 200 x 57.5 cm (137 13/16 x 78 3/4 x 22 5/8 in.)
Church of the Convent of Santo Ángel, Carmelitas Descalzos, Seville
© Copyright Photo The National Gallery, London

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Francisco de Zurbarán
Christ on the Cross, 1627

oil on canvas
291 x 165 cm (114 9/16 x 64 15/16 in.)
The Art Institute of Chicago, Robert A. Waller Memorial Fund 1954.15

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Francisco Ribalta
Christ embracing Saint Bernard of Clairvaux, about 1624-1627

oil on canvas
unframed: 158 x 113 cm (62 3/16 x 44 1/2 in.)
Museo Nacional del Prado, Madrid
© Copyright Museo Nacional del Prado, Madrid

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Jusepe de Ribera
The Lamentation over the Dead Christ, early 1620s

oil on canvas
overall: 129.5 x 181 cm (51 x 71 1/4 in.) framed: 161 x 214.5 x 8 cm (63 3/8 x 84 7/16 x 3 1/8 in.)
The National Gallery, London, Presented by David Barclay, 1853
© Copyright The National Gallery, London

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Francisco de Zurbarán
Saint Francis in Meditation, 1635-1639

oil on canvas
overall: 152 x 99 cm (59 13/16 x 39 in.) framed: 178.4 x 125 x 7 cm (70 1/4 x 49 3/16 x 2 3/4 in.)
The National Gallery, London, Bought 1853

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Francisco de Zurbarán
Saint Francis standing in Ecstasy, about 1640-1645

oil on canvas
207 x 106.7 cm (81 1/2 x 42 in.)
Museum of Fine Arts, Boston, Herbert James Pratt Fund

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Pedro de Mena
Saint Francis standing in Ecstasy, 1663

polychromed wood, glass, cord, ivory, and human hair
97 x 33 x 31 cm (38 3/16 x 13 x 12 3/16 in.)
Cabildo de la Santa Iglesia Catedral Primada, Toledo
© Copyright Fototeca de Obras Restauradas. Instituto del Patrimonio Cultural de España / Ministerio de Cultura

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Francisco de Zurbarán
Saint Serapion, 1628

oil on canvas
120.8 x 104.1 cm (47 9/16 x 41 in.)
Wadsworth Atheneum Museum of Art, Hartford, CT. The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund
© Copyright Wadsworth Atheneum Museum of Art, Hartford, Connecticut