Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500–1800 Claude Lorrain, Two Female Figures Moving to the Left, 1640s, black chalk and pen and black ink with brown wash and white heightening on pink prepared paper, National Gallery of Art, Washington, Andrew W. Mellon Fund

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Renaissance to Revolution: French Drawings from the National Gallery of Art, 1500–1800
Claude Lorrain, Two Female Figures Moving to the Left, 1640s, black chalk and pen and black ink with brown wash and white heightening on pink prepared paper, National Gallery of Art, Washington, Andrew W. Mellon Fund

The Darker Side of Light: Arts of Privacy, 1850–1900 Max Klinger, Abduction (Entführung), 1878/1880, etching and aquatint in black on chine collé, National Gallery of Art, Anonymous Gift

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The Darker Side of Light: Arts of Privacy, 1850–1900
Max Klinger, Abduction (Entführung), 1878/1880, etching and aquatint in black on chine collé, National Gallery of Art, Anonymous Gift

The Robert and Jane Meyeroff Collection: Selected Works Roy Lichtenstein, Bedroom at Arles, 1992, oil and Magna on canvas, Collection of Robert and Jane Meyerhoff

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The Robert and Jane Meyeroff Collection: Selected Works
Roy Lichtenstein, Bedroom at Arles, 1992, oil and Magna on canvas, Collection of Robert and Jane Meyerhoff

The Robert and Jane Meyeroff Collection: Selected Works Roy Lichtenstein, "I...I'll Think About It", 1962, ink on collage, Robert and Jane Meyerhoff Collection

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The Robert and Jane Meyeroff Collection: Selected Works
Roy Lichtenstein, "I...I'll Think About It", 1962, ink on collage, Robert and Jane Meyerhoff Collection

The Robert and Jane Meyeroff Collection: Selected Works Roy Lichtenstein, Conversation, 1962, graphite on paper, Robert and Jane Meyerhoff Collection

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The Robert and Jane Meyeroff Collection: Selected Works
Roy Lichtenstein, Conversation, 1962, graphite on paper, Robert and Jane Meyerhoff Collection

Editions with Additions: Jasper Johns' Working Proofs Jasper Johns, Target with Four Faces, 1968, screenprint, working proof with chalk, ink, and collage, Patrons' Permanent Fund and Special Friends of the National Gallery

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Editions with Additions: Jasper Johns' Working Proofs
Jasper Johns, Target with Four Faces, 1968, screenprint, working proof with chalk, ink, and collage, National Gallery of Art, Washington, Patrons' Permanent Fund and Special Friends of the National Gallery

Robert Bergman Robert Bergman, Untitled,1987, photograph printed 2004, National Gallery of Art, Washington, Anonymous Donation © Robert Bergman

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Robert Bergman: Portraits, 1986 – 1995
Robert Bergman, Untitled,1987, photograph printed 2004, National Gallery of Art, Washington, Anonymous Donation
© Robert Bergman

In the Darkroom: Photographic Processes Harry Callahan, Providence, 1977, dye transfer print, National Gallery of Art, Washington, Gift of Mr. and Mrs. David C. Ruttenberg courtesy of the Ruttenberg Arts Foundation

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In the Darkroom: Photographic Processes
Harry Callahan, Providence, 1977, dye transfer print, National Gallery of Art, Washington, Gift of Mr. and Mrs. David C. Ruttenberg courtesy of the Ruttenberg Arts Foundation

From Impressionism to Modernism: The Chester Dale Collection Henri Matisse, The Plumed Hat, 1919, oil on canvas, Chester Dale Collection

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From Impressionism to Modernism: The Chester Dale Collection
Henri Matisse, The Plumed Hat, 1919, oil on canvas, Chester Dale Collection

American Modernism: The Edward and Deborah Shein Collection John Marin, Sunset, 1922, watercolor, graphite, and charcoal on paper, Collection of Deborah and Ed Shein

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American Modernism: The Edward and Deborah Shein Collection
John Marin, Sunset, 1922, watercolor, graphite, and charcoal on paper, Collection of Deborah and Ed Shein

German Drawings from the Wolfgang Ratjen Collection Adolph Menzel, The Artist's Sister Emilie, 1851, pastel and black chalk on brown paper, Wolfgang Ratjen Collection

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German Drawings from the Wolfgang Ratjen Collection
Adolph Menzel, The Artist's Sister Emilie, 1851, pastel and black chalk on brown paper, Wolfgang Ratjen Collection

Edvard Munch: Master Prints Edvard Munch, Madonna, 1895, color lithograph and woodcut [1902 printing] on oriental paper: lithograph printed from 3 stones in beige, red, and black; woodcut printed from 1 block in blue, The Epstein Family Collection

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Edvard Munch: Master Prints
Edvard Munch, Madonna, 1895, color lithograph and woodcut [1902 printing] on oriental paper: lithograph printed from 3 stones in beige, red, and black; woodcut printed from 1 block in blue, The Epstein Family Collection