Positive Barbarism: Brutal Aesthetics in the Postwar Period
The A. W. Mellon Lectures in the Fine Arts, 2018
Hal Foster, Townsend Martin, Class of 1917, Professor of Art and Archaeology, Princeton University. In the six-part lecture series Positive Barbarism: Brutal Aesthetics in the Postwar Period, Hal Foster explores the pervasive turn, from the mid-1940s to the early 1960s, to the brut and the brutalist, the animal and the creaturely, as these are manifest in the early work of Jean Dubuffet, Georges Bataille, Asger Jorn, Eduardo Paolozzi, and Claes Oldenburg.
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Video: Print Like a Great: Elizabeth Catlett
What happens when legacy, artistry, and womanhood collide? LaToya Hobbs creates a stunning woodcut portrait of Naima Mora, inspired by the life and work of legendary printmaker Elizabeth Catlett—Naima’s own grandmother.
Video: End as Beginning: Chinese Art and Dynastic Time
The A. W. Mellon Lectures in the Fine Arts presented by Wu Hung (2019)
Video: Master Printmaker LaToya Hobbs Creates a Woodblock Print Inspired by Elizabeth Catlett
Master printmaker LaToya Hobbs creates a woodblock print portrait of Naima Mora, referencing the sculpture Naima created by Elizabeth Catlett.