Marks and Labels
Kann collection labels 24, 194; typed label: "Arms of the family Pucci"
Maurice Kann, Paris; (Duveen Brothers), 1908, as part of the Kann collection; purchased February 1910 by Peter A. B. Widener, Elkins Park, Pennsylvania; inheritance from the Estate of Peter A. B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, 1942.
- Sixteenth-Century Italian Maiolica; Selections from the Arthur M. Sackler Collection and the National Gallery of Art's Widener Collection, National Gallery of Art, Washington, D.C., 1982-1983, no. 33, repro.
- Inventory of the Objects d'Art at Lynnewood Hall, Elkins Park, Pennsylvania, The Estate of the Late P.A.B. Widener. Philadelphia, 1935: 58.
- Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 13, as Gubbio (Salimbene di Pietro Andreoli?), about 1510.
- NGA 1982-1983, no. 33.
- Wilson, Carolyn C. Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art. Washington, 1983: 120, no. 8.
- Watson, Wendy M. Italian Renaissance Maiolica from the William A. Clark Collection. Travelling exh. cat.; 11 venues; first venue: Mount Holyoke College Art Museum, South Hadley, Massachusetts, 24 March - 25 May 1986; final venue: Corcoran Gallery of Art, Washington, 29 October 1988 - 9 April 1989. London and Washington, 1986: 94.
- Fiocco/Gherardi 1988-1989, 2:416-417, fig. 118.
- Distelberger, Rudolf, Alison Luchs, Philippe Verdier, and Timonthy H. Wilson. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles including Metalwork, Enamels, and Ceramics. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 183-185, color repro. 184.
Earthenware, covered front and back with a white tin glaze of slightly pinkish tone. The painting is in blue, green, yellow, brown, and white, with golden and reddish luster. There are four kiln-spur marks on the front near the edge, and a kiln scar on the back. The inner and outer edges of the rim are chipped, and there is some scratching of the glaze.