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Marks and Labels

verso, stamped in black ink: National Gallery of Art, Rosenwald Collection (Lugt 1932d)

Provenance

Lessing Julius Rosenwald [1891-1971], Philadelphia, (Lugt 1932d); gift to National Gallery of Art, 1950.

Exhibition History

1950
Vollard, Connoisseur, National Gallery of Art, 1950 – 1951.
1953
Philadelphia Art Alliance, 1953.
1955
Modern French Colored Lithographs from the Lessing J. Rosenwald Collection, National Gallery of Art, 1955.
1963
Modern Prints and Illustrated Books from the Rosenwald Collection, National Gallery of Art, Washington, 1963.
1963
Renoir to Picasso 1914, Lowe Gallery of the University of Miami, Coral Gables, FL, 1963, no. 79.
1964
The Turn of the Century, Kresge Art Center at Michigan State University, East Lansing, 1964, no. 13.
1970
Late Nineteenth- and Early Twentieth Century French Prints from the Rosenwald Collection, National Gallery of Art, Washington, 1970.
1972
Lithography in the 19th Century: Selections from the National Gallery of Art, Rosenwald Collection, New Jersey State Museum, Trenton, 1972 – 1973.
1977
Paper in Prints, National Gallery of Art, Washington, 1977.
1983
Graphic Survey Show, National Gallery of Art, Washington, 1983.
2000
Prints Abound: Paris in the 1890s, National Gallery of Art, Washington, 2000-2001, no. 69, as Les deux belles-soeurs (Two Sisters-in-Law), from Paysages et intérieurs.

Bibliography

1948
Roger-Marx, Claude. L'Oeuvre grave de Vuillard. Monte Carlo: Andre Sauret, 1948.
2000
Prints Abound: Paris in the 1890s. Exh. cat. National Gallery of Art, Washington, 2000-2001: no. 69.

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