around circumference: VXOR LAVRENTII DE TORNABONIS IOANNA ALBIZA
Gustave Dreyfus [1837-1914], Paris; his heirs; purchased with the entire Dreyfus collection 9 July 1930 by (Duveen Brothers, Inc., London, New York, and Paris); sold 31 January 1944 to the Samuel H. Kress Foundation, New York; gift 1957 to NGA.
- Beyond Nobility: Art for the Private Citizen in the Early Renaissance, Allentown Art Museum, Pennsylvania, 1980-1981, no. 54, repro.
- The Power of Appearances: Renaissance and Reformation Portrait Prints, Hood Museum of Art, Dartmouth College, Hanover, 2000, no cat.
- Virtue and Beauty: Leonardo's 'Ginevra de' Benci' and Renaissance Portraits of Women, National Gallery of Art, Washington, D.C., 2001-2002, no. 11, color repro.
- Hill, George Francis, and Graham Pollard. Renaissance Medals from the Samuel H. Kress Collection at the National Gallery of Art. London, 1967: no. 288.
- Wilson, Carolyn C. Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art. Washington, 1983: 40, no. 15.
- Spencer, John R. "Speculations on the Origins of the Italian Renaissance Medal." Studies in the History of Art 21 (1987):202, repro.
- Gregori, Mina, ed. In the Light of Apollo: Italian Renaissance and Greece. 2 vols. Exh. cat. National Gallery and Alexandros Souzos Museum, Athens, 2003-2004: 1:287 IV.8, 288; 2:205. Though the catalogue indicates that this object formed part of the exhibition, it was not lent.
- Pollard, John Graham. Renaissance Medals. The Collections of the National Gallery of Art Systematic Catalogue. 2 vols. Washington, 2007: 1:no. 325, repro.
- Moskowitz, Anita F. Forging Authenticity: Bastianini and the Neo-Renaissance in Nineteenth-Century Florence. Florence, 2013: 59, n. 15.