Inscription
around circumference of the disk held by Saint Bernardino: innomine.chri[sti omne] genuflectatur.coelestium.terrestriu.et.infernorum. (Philippians 2:10); center of the disk: YHS
Provenance
Possibly Gattamelata chapel, Basilica del Santo, Padua.[1] private collection, The Netherlands;[2] (sale, Sotheby's, London, 8 April 1981, no. 124, as by C. Crivelli). (Piero Corsini, New York);[3] private collection, New York, by 1984;[4] (P. & D. Colnaghi & Co., London and New York); sold 1989 to private collection;[5] gift (partial and promised) 1990 to NGA.
Exhibition History
- 1988
- Gothic to Renaissance: European Painting 1300-1600, P. & D. Colnaghi & Co. Ltd., London, 1988, unnumbered catalogue.
- 1991
- Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art, National Gallery of Art, Washington, D.C., 1991, 2-3, color repro.
Bibliography
- 1985
- Boskovits, Miklós. "Per Jacopo Bellini pittore (Postilla ad un Colloquio)." Paragone 36, nos. 419-421-423 (January - May 1985):113-123, repro.
- 1985
- Eisler, Colin. "'Saints Anthony Abbot and Bernardino of Siena, Designed by Jacopo and Painted by Gentile Bellini." Arte Veneta 39 (1985):32-40
- 1986
- Boskovits, Miklós. "Giovanni Bellini. Quelques suggestions sur ses débuts." La revue du Louvre 36, no. 6 (1986):386-393, repro.
- 1987
- Christiansen, Keith. "Venetian Painting of the Early Quattrocento." Apollo (March 1987):166-177, fig. 8.
- 1997
- Pelikan, Jaroslav. The Illustrated Jesus through the Centuries, New Haven & London, 1997, p. 117, repro.
- 2003
- Boskovits, Miklós, David Alan Brown, et al. Italian Paintings of the Fifteenth Century. The Systematic Catalogue of the National Gallery of Art. Washington, 2003: 89-94, color repro.
- 2006
- Banzato, Davide, Alberta De Nicolò Salmazo, and Anna Maria Spiazzi, eds. Mantegna e Padova, 1445-1460. Exh. cat. Musei civici agli Eremitani, Padua. Milan, 2006: 288, 290, 292, 294.
- 2006
- Banzato, Davide. “L’evoluzione delle pala d’altare tra Padova e Venezia tra il Tardogotico e il primo Rinascimento.” In Davide Banzato, Alberta De Nicolò Salmazo, and Anna Maria Spiazzi, eds. Mantegna e Padova, 1445-1460. Exh. cat. Musei civici agli Eremitani, Padua. Milan, 2006: 104-105, fig. 18 (as part of the hypothetical reconstruction).
- 2006
- Salmazo, Alberta De Nicolò. “Andrea Mantegna e Padova. 1445-1460.” In Alberta De Nicolò Salmazo, and Anna Maria Spiazzi, eds. Mantegna e Padova, 1445-1460. Exh. cat. Musei civici agli Eremitani, Padua. Milan, 2006: 18, fig. 25.
- 2008
- Bellosi, Luciano. “Giovanni Bellini et Andrea Mantegna.” In Giovanni Agosti and Dominique Thiébaut, eds. Mantegna 1431 - 1506. Exh. cat. Musée du Louvre, Paris, 2008: 103, fig. 17, 113, 115.
- 2011
- Boskovits, Miklós, ed. The Alana Collection, Newark, Delaware, USA. Vol. II: Italian Paintings and Sculptures from the Fourteenth to Sixteenth Century. Florence, 2011: 76.
- 2019
- Lucco, Mauro, Peter Humfrey, and Giovanni C.F. Villa. Giovanni Bellini: Catalogo ragionato. Treviso, 2019: 294-295, cat. 5.
- 2023
- Müller, Rebecca. Die Vivarini: Bildproduktion in Venedig 1440 bis 1505. Regensburg, 2023: 448.
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