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Inscription

Not signed. Not dated. "No 50. 1e termine -see note by Delatre at back" lower left margin, graphite, unknown hand. "D4631-" lower right margin, graphite, unknown hand. "4e ep. la plus belle que j'ai tiré / de cotte planche. Aug Delâtre" verso, lower right sheet, graphite, Auguste Delâtre's hand.

Marks and Labels

"LRJ" verso, black stamped ink, stamped twice. "National Gallery of Art" verso, black stamped ink.

Exhibition History

1945
Prints from the Lessing J. Rosenwald Collection in the National Gallery of Art, Washington, John Herron Art Institute, Indianapolis, IN, 1945, no. 81.
1965
Master Prints from the Rosenwald Collection, Virginia Museum of Fine Arts, Richmond, 1965, no. 104.
1966
Art in the Making, Colby College Art Museum, Waterville, ME, 1966.
1995
Prints by James McNeill Whistler and His Contemporaries, National Gallery of Art, Washington, 1995, as The Apse of the Cathedral of Notre-Dame, Paris.

Bibliography

1924
Delteil, Loys and Harold J.L. Wright. Catalogue raisonne of the Etchings of Charles Meryon. New York: Winfred Porter Truesdell, 1924.
1990
Schneiderman, Richard S. The Catalogue Raisonne of the Prints by Charles Meryon. London: Garton & Co., 1990.

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