Inscription
Not signed. Not dated. "No 50. 1e termine -see note by Delatre at back" lower left margin, graphite, unknown hand. "D4631-" lower right margin, graphite, unknown hand. "4e ep. la plus belle que j'ai tiré / de cotte planche. Aug Delâtre" verso, lower right sheet, graphite, Auguste Delâtre's hand.
Marks and Labels
"LRJ" verso, black stamped ink, stamped twice. "National Gallery of Art" verso, black stamped ink.
Exhibition History
- 1945
- Prints from the Lessing J. Rosenwald Collection in the National Gallery of Art, Washington, John Herron Art Institute, Indianapolis, IN, 1945, no. 81.
- 1965
- Master Prints from the Rosenwald Collection, Virginia Museum of Fine Arts, Richmond, 1965, no. 104.
- 1966
- Art in the Making, Colby College Art Museum, Waterville, ME, 1966.
- 1995
- Prints by James McNeill Whistler and His Contemporaries, National Gallery of Art, Washington, 1995, as The Apse of the Cathedral of Notre-Dame, Paris.
Bibliography
- 1924
- Delteil, Loys and Harold J.L. Wright. Catalogue raisonne of the Etchings of Charles Meryon. New York: Winfred Porter Truesdell, 1924.
- 1990
- Schneiderman, Richard S. The Catalogue Raisonne of the Prints by Charles Meryon. London: Garton & Co., 1990.
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