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Seven fair-skinned people crowd around a wooden table on the right side of this horizontal painting, as several more gather around a fire in a deeply shadowed room beyond, to our left. The room closer to us The room we seem to be in has high ceilings and peanut-brown walls and floor. At the center of the composition, a man dressed in mustard yellow with a yellow and burnt-orange jester’s cap stands facing us. His smiling mouth is agape, and he lifts is left arm, to our right, to gesture toward the group at the table there. His feet are widely planted, and a ceramic jug dangles from his other hand. At the table to our right, one man sits at the front, left corner of the table, leaning back in his chair as he raises his black hat high in his right hand, closer to us. His face is tipped up and his mouth is wide open. Across from him is another young man in a blue-grey jacket who wears a paper crown. With the back the wrist closer to us planted on his hip, he tilts back his head to drink from a tall tankard held in his other hand. A young and an older woman women sit smiling among the men. The younger woman wears a navy-blue dress with a white cap covering the back of her honey blonde hair, and the older woman is in ocean blue with a white head covering. Two more men at the table also have their mouths open and wear earth-toned clothes. A man has poked his head through a small, squared opening high on the wall above the table to our right, to look down at the group. Over the jester’s head, a gray owl sits chained to a perch driven into the wood stud that frames the wall behind the group. Bits of paper are scattered on the floor and two terracotta jugs sit gleaming in the lower right corner. A tawny cat peers out from behind the drinker’s seat. A dog with sable-brown fur lies near a low table in the lower left corner of the painting. A shallow, terracotta dish with short feet sits on the table and a brown ceramic jug, oyster shells, and a few stalks of straw sit near the dog and table. In the dimly lit room beyond this one, a man, woman, and four children gather around a fireplace. The woman holds a long-handled griddle over the flame, and she turns to look back over her shoulder. The artist signed and dated the work as if he had written on the front edge of the low table to our left: “D. TENIERS F 1635.”

David Teniers the Younger, Peasants Celebrating Twelfth Night, 1635, oil on panel, Ailsa Mellon Bruce Fund, 1972.10.1

The Art of Looking

David Teniers the Younger, Peasants Celebrating Twelfth Night

  • Friday, December 31, 2021
  • 1:00 p.m. – 2:00 p.m.
  • Registration Required
  • Virtual Program

In the spirit of the winter season, David Teniers the Younger's Peasants Celebrating Twelfth Night is the inspiration for this interactive conversation. Join us and share your observations, interpretations, questions, and ideas, and build on your own first impressions to broaden your understanding of this work of art. This session lasts one hour and is completely interactive. 

National Gallery educators will facilitate the conversation to create an environment for shared learning. These conversations will encourage you to engage deeply with art, with others, and with the world around you as you hone skills in visual literacy and perspective-taking.

This program is free and open to the public and is designed for anyone interested in talking about art. No art or art history background is required. Ages 18 and over.

Due to the interactive nature of this program, sessions are not recorded.

Live Captions

Live captions (CART) are available in some breakout rooms for this program. Please contact [email protected] to request access or for more information.