Skip to Content
A young woman sits and a young girl stands at an open, wide, vine-covered gate in front of a park in this horizontal painting. Both people have pale, peachy skin. The woman sits at the center of the opening with her body facing us, and she looks at or toward us with dark eyes under dark eyebrows. She tips her head slightly to her left, our right, and her brown hair has been pulled up under an ivory-white hat with a dark feather that curves over her hair toward her ears. Like the rest of the painting, her features are loosely painted but her pink lips are closed. Her pale shell-pink shawl flares over her shoulders to her elbows, and is fastened with a black ribbon or tie at her neck. A touch of black at her waist suggests she wears a black sash, and her full skirt falls in layered tiers to the ground. Her hands rest in her lap, and she holds long-stemmed flowers with red, baby-blue, and butter-yellow blooms. Next to the woman and to our left, the girl stands facing our left in profile with her hands on the trellised gate, which has swung away from us, into the park. Her blond hair is held back with a black headband and she looks down, her face turned slightly away. Her long-sleeved, loosely fitting, slate-blue jumper has pale blue pinstripes and comes to her knees. She wears white stockings, and her black boots come up over her ankles. An open umbrella with a curved wooden handle rests upside down on the ground to our right of the woman. The interior is deep turquois blue and the exterior is parchment brown. The park is painted with tones of pale caramel brown for the ground, and sage green and tan for the trees. Tree trunks and branches are painted with a few lines in brown, and there is a hedge of pine-green bushes beyond the gate to our right. Sunlight filters through the trees to create dappled shadows on the ground. The artist signed the work as if she had written her name along the bottom rail of the gate door, near the lower left corner of the painting: “Eva Gonzalèz.”

Eva Gonzalès, Nanny and Child, 1877/1878, oil on canvas, Chester Dale Fund, 2006.72.1

Gallery Talks

The Art of Looking

The Art of Looking

Eva Gonzalès, Nanny and Child

  • Friday, March 4, 2022
  • 1:00 p.m. – 2:00 p.m.
  • Virtual Program

In honor of Women's History Month, Eva Gonzalès's Nanny and Child is the inspiration for this interactive conversation. Join us and share your observations, interpretations, questions, and ideas, and build on your own first impressions to broaden your understanding of this work of art. This session lasts one hour and is completely interactive. 

National Gallery educators will facilitate the conversation to create an environment for shared learning. These conversations will encourage you to engage deeply with art, with others, and with the world around you as you hone skills in visual literacy and perspective-taking.

This program is free and open to the public and is designed for anyone interested in talking about art. No art or art history background is required. Ages 18 and over.

Due to the interactive nature of this program, sessions are not recorded.

Live Captions

Live captions (CART) are available in some breakout rooms for this program. Please contact [email protected] to request access or for more information.