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We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.

John Constable, Wivenhoe Park, Essex, 1816, oil on canvas, Widener Collection, 1942.9.10

John Constable, Wivenhoe Park, Essex

The Art of Looking

  • Friday, May 5, 2023
  • 1:00 p.m. – 2:00 p.m.
  • Talks
  • Virtual
  • Registration Required

John Constable's Wivenhoe Park, Essex is the inspiration for this interactive conversation. Join us for a one-hour virtual session and share your observations, interpretations, questions, and ideas about this work of art.

These conversations will encourage you to engage deeply with art, with others, and with the world around you as you hone skills in visual literacy and perspective-taking.

The program is free, open to the public, and is desgined for everyone interested in talking about art. No art or art history background is required. Ages 18 and over.

Due to the interactive nature of this virtual program, sessions are not recorded.

Live Captions

Live captions (CART) are available in some breakout rooms for this program. Please contact [email protected] to request access or for more information.