Skip to Main Content
A nearly nude, muscular man with pale, peachy skin sits in an underground cave among seven male and two female lions in this horizontal painting. The man sits to our right of center with his legs crossed, elbows close to his body with hands clasped by his chest. His head tips back to look up through a small opening above. He has long, wavy, chestnut-brown hair and dark eyes. A white cloth wraps across his hips, and he sits on a scarlet-red swath of fabric draped up over a rock next to him. The nine lions stalk, sit, or lie down around the man. One male lion next to the man, to our left, opens his mouth with his head thrown back, curling tongue extended beyond long fangs. A human skull and other bones are strewn on the dirt ground close to us. The rocky cave curves up around the animals and man to a narrow, round opening showing blue sky above.

Sir Peter Paul Rubens, Daniel in the Lions' Den, c. 1614/1616, oil on canvas, Ailsa Mellon Bruce Fund, 1965.13.1

Finding Awe: Sir Peter Paul Rubens, Daniel in the Lions' Den

Focus: Collections

Interactive Workshop

  • Saturday, December 7, 2024
  • 10:15 a.m. – 12:00 p.m.
  • West Building Main Floor Gallery 45
  • Talks
  • Guided Tours
  • Workshops
  • In-person
  • Registration Required

Workshop Series: Finding Awe

We all could use a little more awe in our lives—come find it in the museum!  In this series of interactive workshops, we’ll meditate on awe in our lives and in art.  Join us for a pause from your daily routine, to breathe deeply and look mindfully at a single work of art. You’ll be invited to look closely, wonder, and share your own awe experiences. We hope you’ll leave with some “awe practices,” tools for cultivating an awe mindset in your daily life. 

Session 5: Sir Peter Paul Rubens, Daniel in the Lions’ Den

For centuries, artists have been commissioned to tell stories of the divine—works that aim to evoke awe, reverence, or passion in the viewer. Explore Rubens’ emotion-filled narrative works and reflect on awe’s role in spiritual life.

This program is grounded in the National Gallery’s longstanding commitment to slow looking and offers new “awe practices” drawn from the research of Dacher Keltner, Professor of Psychology at the University of California-Berkeley, director of The Greater Good Science Center, and author of  Awe: The New Science of Everyday Wonder and How It Can Transform Your Life (2023). Research shows that experiences of awe help support mental and physical wellbeing, open us up to greater creativity and deeper empathy, and connect us to our shared humanity. The National Gallery and UC-Berkeley are currently collaborating on research and participants in this program will be encouraged to respond to surveys.    

Ages 18 and up. Led by senior educator Nathalie Ryan. Questions? Email [email protected]