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Provenance

Clarence H. Mackay [1874-1938], Roslyn, New York. (Duveen Brothers, Inc. London and New York), by 1936;[1] purchased 1941 by the Samuel H. Kress Foundation, New York; gift 1943 to NGA.

Exhibition History

1936
Catalogue van de tentoonstelling van de oude Kunst, Rijksmuseum, Amsterdam, 1936, no. 1178.

Bibliography

1944
Duveen Brothers, Inc. Duveen Sculpture in Public Collections of America: A Catalog Raisonné with illustrations of Italian Renaissance Sculptures by the Great Masters which have passed through the House of Duveen. New York, 1944: figs. 220-222, as Jacopo Contarini, by Alessandro Vittoria.
1945
Paintings and Sculpture from the Kress Collection. National Gallery of Art, Washington, 1945 (reprinted 1947, 1949): 198, repro., as Jacopo Contarini by Alessandro Vittoria.
1959
Paintings and Sculpture from the Samuel H. Kress Collection. National Gallery of Art, Washington, 1959: 434, repro., as Jacopo Contarini by Alessandro Vittoria.
1965
Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 173, as Jacopo Contarini by Alessandro Vittoria.
1968
National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 153, repro., as Jacopo Contarini by Alessandro Vittoria.
1976
Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools XIV-XIX Century. London, 1976: 77.
1994
Sculpture: An Illustrated Catalogue. National Gallery of Art, Washington, 1994: 20, repro.
2001
Banzato, Davide. "Francesco Segala." In Augusti, Adriana, et al, eds. Donatello e il suo tempo: il bronzetto a Padova nel Quattrocento e nel Cinquecento. Exh. cat. Musei Civici, Padua, 2001: 321.
2008
Penny, Nicholas. "The Evolution of the Plinth, Pedestal, and Socle." In Collecting Sculpture in Early Modern Europe. Nicholas Penny and Eike D. Schmidt, eds. Studies in the History of Art 70, Symposium Papers 47 (2008): 478.

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