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Provenance

Dorothy and Herbert Vogel, New York, NY; purchase/gift to NGA, 1991.

Exhibition History

1969
Art by Telephone, The Museum of Contemporary Art, Chicago, 1969.
1986
Drawings from the Collection of Dorothy and Herbert Vogel, The University of Arkansas at Little Rock, Department of Art Galleries, Little Rock and tour, 1986-1987.
1994
From Minimal to Conceptual Art: Works from The Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, 1994, no. 51, as Wall Drawing No. 26.
1997
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), Portland (Oregon) Art Museum, 1997, as Wall Drawing No. 26.
1997
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), The Jack S. Blanton Museum of Art (formerly Archer M. Huntington Art Gallery), University of Texas, Austin, 1997, as Wall Drawing No. 26.
1998
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), Tel Aviv Museum of Art, 1998, as Wall Drawing No. 26.
1998
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection (NGA National Lending Service Exhibition), Wäinö Aaltonen Museum of Art, Turku, Finland, 1998, as Wall Drawing No. 26.
2001
A Century of Drawing, National Gallery of Art, Washington, 2001-2002, no. 118, as Wall Drawing #26 / A one-inch (2.5) grid covering a 36" (90 cm) square. Within each one inch (2.5 cm) square, there is a line in one of the four directions..
2019
Keeping Time, Ceretto, Old Grapperia, La Morra, Italy, 2019.

Bibliography

1986
Drawings from the Collection of Dorothy and Herbert Vogel, The University of Arkansas at Little Rock Department of Art Galleries, Little Rock, 1986, 47
1994
From Minimal to Conceptual Art: Works from The Dorothy and Herbert Vogel Collection. Exh. cat. National Gallery of Art, Washington, 1994: no. 51.
2001
A Century of Drawing. Exh. cat. National Gallery of Art, Washington, 2001-2002: no. 118.

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