Published to accompany an international touring exhibition, Aelbert Cuyp reproduces 45 of the artist’s most distinguished paintings and 64 drawings, accompanied by more than 100 comparative illustrations and insightful essays by a team of curators and scholars.
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This volume, the first printed catalog of the holdings of American drawings, watercolors, pastels, and collages of the Corcoran Gallery of Art, documents 1,784 works by 645 artists.
American Light makes a fresh and comprehensive examination of the culminating phase of Hudson River painting, now commonly called luminism.
This catalog accompanied an exhibition presenting approximately 150 works, all acquired during the last decade of the 20th century, that survey the last five centuries of European and American art.
This catalog, part of the worldwide celebrations that commemorated the 400th anniversary of Paolo Veronese’s death, illustrates every aspect of Veronese’s career and demonstrates the evolution of his style.
The Art of Paul Gauguin reproduces more than 200 works by this important modern artist and includes essays, a chronology, selected writings by the artist, and a list of exhibitions.
This catalog includes 140 drawings from the Gallery’s collection created between the years 1900 and 2000: those works that build on convention as well as those that defy it.
This catalog, with 58 of Degas’s works featuring the dancers of the Opera ballet, has two goals: to survey the range of Degas’s treatments of ballet subjects from the late 1860s until the end of his working life sometime after 1900, and to reevaluate Degas’s working methods.
This publication celebrated the 60th anniversary in 2002 of the acquisition by the National Gallery of Art of the Index of American Design, a collection of more than 18,000 watercolor renderings of American folk, popular, and decorative art.
This catalog presents for the first time the drawings of Bolognese artist Annibale Carracci on their own, separate from works believed to be by his brother Agostino and cousin Ludovico.
This exhibition catalog provides viewers an opportunity to experience the full range of Munch’s genius, both in painting and also in graphic work, and reexamines Munch as an heir to existing 19th-century traditions such as impressionism.
This catalog, which marked the bicentennial of our nation’s founding in 1776, takes as its focus the author of the Declaration of Independence, Thomas Jefferson, and provides an aesthetic biography of this Founding Father and his commitment to the arts and intellectual life of his time.
From Botany to Bouquets examines the origins of flower painting with a selection of botanical treatises, manuscripts, and watercolors by 16th- and 17th-century printmakers and draftsmen.
Gardens on Paper explores the garden theme in works of art on paper, including 15th-century codices, early engravings, drawings, books, and topographical plans, as well as through images of allegorical, secular, and even imaginary gardens.
This groundbreaking book is the first to examine the representations of women within Goya’s multifaceted art, and in so doing, it sheds new light on the evolution of his artistic creativity as well as the roles assumed by women in late 18th- and early 19th-century Spain.
To capture the mood of 19th-century Paris, this catalog features paintings, drawings, and prints by the impressionist artists who made Parisian life a central theme of their work and, to complete the picture, those of their immediate predecessors and followers.
This catalog provides a rereading of Édouard Manet’s masterpiece The Railway that leads us on a fascinating tour through the “Europe” district of Paris, newly developed around the Saint-Lazare train station—the site of The Railway and the neighborhood in which Manet lived and worked during the 1870s.
This volume includes an introduction to French architecture followed by entries documenting almost four centuries of French books of classical architectural design and theory.
The second volume in the Mark J. Millard architectural series, this publication catalogs almost 100 books published in Britain from the 17th through the 19th centuries.
This third volume in a series documenting the architectural collection of Mark J. Millard includes more than 140 illustrated books in five languages, offering a perspective on northern European architectural styles from the Renaissance through the baroque and into the neoclassical period.
This volume focuses on the architectural publications created in Italy between 1486 and 1848, as well as a small sampling of Spanish books published between 1671 and 1800.
Master Drawings reproduces drawings given by 28 donors as part of one of the first exhibitions in the East Building of the National Gallery of Art.
This catalog concentrates on one of Mondrian’s great formal and expressive inventions—the diamond-shaped painting—and includes an essay on several aspects of these works as well as two in-depth studies.
Picasso: The Saltimbanques brings together a selection of the artist’s paintings with related prints and drawings by Picasso and others to trace the traditions of the Harlequin, Pierrot, and the jester, from their origins in the commedia dell’arte of the 17th century to their merger with the circus performers of Picasso’s day.
Prints Abound probes the phenomenal outpouring of print publications in late 19th-century France and explores the artistic, technical, economic, and cultural circumstances of 1890s Paris.
Toulouse-Lautrec and Montmartre explores the work of Henri de Toulouse-Lautrec along with that of his contemporaries and the ways in which they depicted the decadent life of Montmartre in the 1890s.
With more than 180 illustrations and an illuminating essay by Bruce Robertson, this catalog demonstrates the Ebsworth Collection’s rich and varied look at modern American art.
Published on the 300th anniversary of his birth, this catalog accompanied the first international loan exhibition devoted to the art of the great French 18th-century artist Antoine Watteau.