Mark Rothko, Untitled [Multiform],1948, Collection of Kate Rothko Prizel

In these multiforms the liquid paint soaks the canvas, leaving soft, indistinct edges, while whitish outlines surround some of the shapes like haloes. Rothko now relied on these shapes, which replaced the earlier biomorphic motifs, to convey emotional states. Throughout this series the artist's work reveals a greater breadth of both composition and scale and a heightened attention to color. At this point Rothko began to paint the edges of his stretched canvases, which he displayed without confining frames.


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